Since at least 1711 he had led the Déscription des arts et métiers, the Académie's attempt to describe and codify the arts and industries practised in France.47 In 1722 he published the first volume in that project, a treatise on steel ...
Erfahrung und Evidenz in Friedrich J. Bertuchs „Bilderbuch für Kinder“ (1790–1830) (Ph.D. diss. Humboldt University Berlin: 2012; Göttingen: 2014). ... Schubert F.H., Ludwig Camerarius (1573–1651). Eine Biographie (Kallmünz: 1955).
In abito di Vergine sidipinge, per esser la mente dell'innocente intatta, e immacolata. L'agnello significa l'innocenza, perche non hane forzane intentione di nuocere adalcuno [...]. [...] dovendo così fare chi desidera d'assimigliarsi ...
Dico appresso, non esser bene il confondere diverse azzioni in un quadro, tutto che fossero una sola d'unità formale [...] Thus, it is not appropriate for the painter to clutter his panel with so many images and create a displeasing ...
Hédonismes. Penser et dire le plaisir dans l'Antiquité et à la Renaissance (Lille: 2007) 201–214. Percopo E. “La vita di Giovanni Pontano”, Archivio Storico per le provincie Napolitane LXI (1936) 116–250; LXII (1937) 57–237.
... Nederlands Kunsthistorisch Jaarboek 2001, 61–81. vlaardingerbroek 2011—P. Vlaardingerbroek, Het paleis van de Republiek. Geschiedenis van het stadhuis van Amsterdam, Zwolle 2011. vlaardingerboek 2018—P.F. Vlaardingerbroek, ...
He mostly concentrated on landscapes filled with the residual elements of bygone eras. However, in what follows, I will argue that the ... Encouraged by Ruisdael to imagine Antwerp: Royal Museum of Fine Arts. Public domain FIGURE 7.8.
Andrew P.R., “Illustrating Horace's Villa: Allan Ramsay, Jacob More, and Jakob Philipp Hackert”, in Frischer B.D. – Brown I.G. (eds.), Allan Ramsay and the Search for Horace's Villa (London: 2001) 51–71, here 63.
peregrinatio academica of students and scholars, or as the tour of young noblemen (Kavalierstour). The Grand Tour was in fact already fully developed in the middle of the 16th century and had its heydays during the “long” 17th century,4 ...
He has co-curated traveling exhibitions of prints from the collection of the Blaffer Foundation—A Portrait of the Artist, 1525–1825 (2005) and The Plains of Mars: European War Prints, 1500–1825 (2009)—as well as several loan ...
... Ut pictura amor : The Reflexive Imagery of Love in Artistic Theory and Practice , 1500-1700 , Intersections 48 ( Leiden – Boston : 2017 ) 1–26 ; idem , Karel van Mander and His Foundation of the Noble , Free Art of Painting . First ...