Sound Check: The Jazz Photography of Thomas King
Jazz musicians, scholars, and journalists emphasize how the political consciousness that infused jazz in the 1960s and 1970s has continued to animate the avant-garde, Free Jazz, fusion, and other forms of this lively, always-evolving music.
Finally, time and space take another Sun Ra-ian shift by way of Buddhist philosophy and poststructural theory—and humor—in Tracy McMullen's “People, Don't Get Ready: Improvisation, Democracy, and Hope.” McMullen offers a critical ...
Sawyer, Pretend Play as Improvisation, xxv. 7. Corsaro, Friendship and Peer Culture. 8. Kartomi, “Musical Improvisations by Children at Play.” 9. Sawyer, Pretend Play as Improvisation. 10. Blacking, Venda Children's Songs. 11.
Berliner, P. (1994) Thinking in Jazz: The Infinite Art of Improvisation. Chicago: University of Chicago Press. ... Sawyer, R.K. (1997) Pretend Play as Improvisation: Conversation in the Preschool Classroom. Mahwah, NJ: Erlbaum. Sawyer.
Pedagogy, Policy and the Privatized City intersperses student writings about “dispossession and defiance” in New Orleans with pieces by distinguished scholars that connect the students' concerns to critiques of neoliberal privatization ...
This book offers new perspectives on the revolutionary potential of improvisation pedagogy.
I concluded – perhaps too quickly – that some topics transcended the culture of Ontario . ... history in the age of Thompson and Hobsbawm , but I was not fooled by one book's title , Customs and Traditions of the Canadian Armed Forces .
Flow, Gesture, and Spaces in Free Jazz: Towards a Theory of Collaboration. Berlin: Springer-Verlag, 2009. Print. McLeod, Katherine. “'Oui, let's scat': Listening to Multi-vocality in George Elliott Clarke's Jazz Opera Québécité.
Munro's stories confer their meaning not simply by referring to an outer reality, but also by bestowing upon the reader a stimulating wealth of possibilities taken from what we might call a potential or absent level of meaning.
By placing key theoretical and classic texts in conversation with cutting-edge research and artists’ statements, this book answers the urgent questions facing improvising artists and theorists in the mediatized Twenty-First Century.
Ajay Heble's study focuses on Munro's involvement with a 'discourse of absence' and suggests that our understanding of these texts often depends not only on what happens in the fiction, but also on what might have happened.
Cover -- Copyright page -- Contents -- Acknowledgments -- Introduction: Classroom Action - Human Rights, Critical Activism, and Community-Based Education -- 1 Access Interventions: Experiments in Critical Community Engagement -- 2 The ...
An imaginative and passionate synthesis of form and function, Landing on the Wrong NOte goes beyond mainstream jazz criticism, outlining a new poetics of jazz that emerges not from the ivory tower but from the clubs, performances, and lives ...
A fascinating journey into the world of rebel musicians, where music and politics unite.
Scholars, composers and performers write about the art of jazz improvisation.
In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title.
Daniel Fischlin is a leading Canadian humanities researcher who has written over twenty books.