In the present chapter, I shall focus on Toni Morrison's The Bluest Eye. Morrison's narrative stands as her initial attempt at generic denigration, as her first effort to create what she has elsewhere called "A genuine Black . . . Book.
In this book, Michael Awkward raids the borders of contemporary criticism to show how debilitating such "protectionist" stances can be and how much might be gained by crossing our cultural boundaries.
In this book, Michael Awkward raids the borders of contemporary criticism to show how debilitating such "protectionist" stances can be and how much might be gained by crossing our cultural boundaries.
School Daze (Lee), 100–102, 138, 143 Seinfeld, 55, 129 Seles, Monica, 85 Shakespeare, William, 106, 108 shange, ... 18 Soldier's Story, A (Jewison), 141 Solo, 98 “Song of Myself” (Whitman), 60 Song ofSolomon (Morrison), xiv, 60, 97–98, ...
Negotiating Difference ( M. Awkward ) , 44-48 Spielberg , Steven , 87-89 Spillers , Hortense , 45 Sula ( Morrison ) ... A ( Kenan ) , 81– 84 Same River Twice , The ( Walker ) , 51 Sarah Phillips ( Lee ) , 194-97 Saturday Night Fever ...
DIVCultural and literary study of the construction of racial and artistic identity in soul cover albums of three popular artists--Aretha Franklin, Al Green, and Phoebe Snow./div "Michael Awkward's "Soul Covers" signals the beginning of a ...
Michael Awkward’s Philadelphia Freedoms captures the energetic contestations over the meanings of racial politics and black identity during the post-King era in the City of Brotherly Love.
The only book-length examination of the role of remakes in American popular music, Soul Covers is itself a refreshing new take on the lives and work of three established soul artists.
An analysis of the literary values of Hurston's novel, as well as its reception--from largely dismissive reviews in 1937, through a revival of interest in the 1960s and its recent establishment as a major American novel.