Paris (which first appeared in the 1830s), the Musical Times of London (which first appeared in the 1840s), and the journal John Sullivan Dwight published in Boston (which first appeared in 1852). The first issue of Sherman & Hyde's ...
Timothy F. Murphy (Chicago, 2000), p. 401, where even Ivan Raykoffiin an attempt to extend sympathy to his subjectIcalls Kopelson's volume “highly subjective” and hesitates over its “camp sensibility.” Saffle.
This was led by Miss Bertha Johnston, who possesses a remarkably sweet voice, over which she has perfect control. Those in the chorus were Misses Lucy Hood, Eliza Hood, Della Dunn, Har[r]iet Johnston, Malinda Hayden, and Electrice ...
... Orpheus ” " acceptance of November 22 : was said that Wagner lost the King's favor after “ Your Dante gallery makes manifest to all eyes the expecting him to pay for Pecht's portrait ( a false marvels of the sublime Catholic poem .
Among the contributors (and essay topics) are: Barry Millington (Holländer, Tannhäuser, and Lohengrin); David Hamilton (Tristan); Kenneth Furie (Meistersinger and Parsifal); and Jon Alan Conrad (the Ring).
Caspari , Knopp , Milde , “ und Roth . 2. “ Die Ideale ” Symphonic Poem after Schiller 1. Aufschwung 2. Enttäuschung 3 . Beschäftigung 4. Apotheose 3 . Gruppe aus dem Tartarus ( Schiller ) ( Male - voice chorus and Orchestra ) Second ...
In: Schoenberg, Style and Idea: Selected Writings of Arnold Schoenberg, ed. Leonard Stein. London: Faber & Faber, 1975, pp. 442–47. ISBN 0571097227. ML60.S347 1975b. A loosely organized collection of musings on Liszt's “fanatical faith ...
See WFL II , p . 409 ; and WFL III , p . 470. Smetana fares slightly better in Derek Watson's new biography for the “ Master Musicians ” series , where the Czech composer rates half a page plus four passing references .
Harvard University's Widener Library purportedly owns a copy (shelfnumber “Widener Depository Phil 3640.190.20”) but it was unavailable for examination by the present author; so was the copy identified in the Library of Congress on-line ...
Hans Richter was rehearsing the brass in the next room , and was late . Wagner waited , asked the reason . He became angry , threw down the conductor's baton , and strode out of the pit with the words , “ I have no desire to conduct a ...
Taylor, Benedict. “Schubert and the Construction of Memory: The String Quartet in a ... Music in Paris in the Eighteen-thirties/La Musique à Paris dans les années mil huit cent trente, ed. Peter Bloom. Stuyvesant, NY, 1987, pp. 553–573.
“ Dwight and Perkins on Wagner : A Controversy Within the American Cultivated Tradition , 1852–1854 . ” In Music and Civilization : Essays in Honor of Paul Henry Lang , ed . Edmond Strainchamps and Maria Rika Maniates , with Christopher ...
Madsen, C. A. The Schubert-Liszt Transcriptions.' Text, Interpretation, and Lieder Transformation. Dissertation: University of Oregon, 2003. 487pp. DAI 64, no. 02A (2003): 332. Considers the Schubert Lieder transcriptions prepared by ...
“Paraphrase on Franz Liszt,” Scott Stamp Monthly (September 1986): 12–13. See, too, U. Barthol's “Liszt und Briefmarken: von einer Biographie besonderer Art,” HiFi-Stereophonie 22 (1983): 1218–20. Like Danek's study, Barthol's and ...
Franz Liszt : la vita , l'opera , i testi musicati . Milan : Feltrinelli , 1983 . D - DS Darmstadt . Hessische Landes - und Hochschulbibliothek : original autographs of Liszt's letters to Agnes Street - Klindworth from the Breitkopf ...
Bass-line rhythm from Mike Bernard, Tantalizing Tingles, 2nd strain (recording). DYNAMICS In 1915, Axel Christensen gave the advice, “Leam to shade your tones from loud to soft as the requirements of the piece and your interpretation of ...
Music, Representation, and Reception Michael Saffle, Hon-Lun Yang. 25. See, for instance, Martha Fitch Denby, ... Brian Singleton, Oscar Asche, Orientalism, and British Musical Comedy (Westport, CT: Praeger, 2004), 132. 32.
It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and ...
The book covers music history through lenses that include “authentic” performance, original instrumentation, and social context.
A comprehensive bibliography and guide to this archetypical musical genius.