... 'The Concealed Fansyes' fi 'A Pastorall' H Cavendish, Margaret (Duchess of Newcastle) M advocacy of pl€§1~ $ Bell in Campo The Convent of Pleasure H, fantasy fi The Female Academy W, M fi, ..3° I-I .ml M Love 's Adventures ...
Reminding us that the 1680s saw rule without Parliament, James Grantham Turner says that at this point 'political pornographia entered its terminal condition'; the condition of porno-political rhetoric was, though, imbricated in ...
... j Both by your birth and happy pow'rs'.89 CliVord's elite status and later wealth, the very circumstances that enabled her to ... 90 Amy Louise Erickson, Women and Property in Early Modern England (London: Routledge, 1993), p. 4.
Taking Ovid's Metamorphoses as its starting point, this book analyses fantastic creatures including werewolves, bear-children and dragons in English literature from the Reformation to the late seventeenth century.
Susan Wiseman analyses mythical and natural creatures in English Renaissance writing, including Shakespeare's A Midsummer Night's Dream and The Tempest.
MacDonald, Joyce Green, `The Disappearing African Woman: Imoinda in Oroonoko After Behn', English Literary History 66 (1999), 71±86. Spencer, Jane, Aphra Behn's Afterlife (Oxford, 2000). Todd, Janet, The Critical Fortunes of Aphra Behn ...
Susan Wiseman analyses mythical and natural creatures in English Renaissance writing, including Shakespeare's A Midsummer Night's Dream and The Tempest.
This is a study of the English writing of metamorphosis from the Refor- mation to the late seventeenth century. ... The project began as a study of how the animal–human border was understood and written about in the English Renaissance.
She has written Writing and Metamorphosis in the English Renaissance (Cambridge University Press, 2014), Conspiracy and Virtue: Women, Writing, and Politics in Seventeenth Century England (Oxford University Press, 2006), ...
Susan Wiseman analyses mythical and natural creatures in English Renaissance writing, including Shakespeare's A Midsummer Night's Dream and The Tempest.
During a writing career from the Restoration (1660) to the so-called Glorious Revolution (1688-9) Aphra Behn was prolific in all the commercial genres of her time and treated the most...
What is, what was the human? This book argues that the making of the human as it is now understood implies a renegotiation of the relationship between the self and the world.
... Jonson has one of his most virtuous characters claim that ' Posterity pays every man his honour ' ( III.455 ) , so the last marked passage in his copy of Lipsius similarly notes that ' Posterity will give to euery one his due honour ...