Books written by Jerrold E. Hogle

  • The Cambridge Companion to Gothic Fiction

    Provides a survey of literary gothicism from its origins in Renaissance revenge tragedy, through eighteenth century novels and plays, to nineteenth and twentieth century film and fiction.

  • The Cambridge Companion to Gothic Fiction

    In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to ...

  • Gothic Literature

    This volume, covering entries from "Joseph Sheridan Le Fanu" to "Oscar Wilde," includes a primary sources section written by the featured author, overviews of the author's career and general studies, and in-depth analyses of seminal works ...

  • Shelley's Process: Radical Transference and the Development of His Major Works

    For a very recent—and essentially Christian—version of this reading, see Andrew J. Welburn, Power and Self-Consciousness in the Poetry of Shelley (London: Macmillan, 1986), esp. pp. 1-7, 144-66, and 186-97. 9. This argument is proffered ...

  • Gothic and Theory: An Edinburgh Companion

    De Manian deconstruction's Gothic reanimation of the machine as an autonomic nervous system can be set against the current techno-euphoria among posthumanists influenced by Deleuze and Guattari's theories of machinic assemblages.

  • The Cambridge Companion to the Modern Gothic

    Also including a chronology and guide to further reading, this volume offers a comprehensive account of the importance of Gothic to modern life and thought.

  • Mary Robinson and the Gothic

    ... old Mary's passing, the Lord is haunted by “Screech-owls appalling,” reminiscent of the avenging female Furies in Aeschylus' ancient Greek Orestia, and, because they “shriek like a ghost,” the Lord recalls the “All Alone” orphan in ...

  • The Cambridge Companion to the Modern Gothic

    This Companion explores the Gothic across literature, film, television, and cyberspace, revealing how it has proliferated since 1900 as an expression of modernity.