Susan Stanford Friedman advocates for a “relational, adjectival approach” that she calls “planetary” modernism. This approach “enables recognition of a spatial dimension to modernity's temporality, an interactional set of relations ...
In addition to space , Urquhart reveals a further constraint on her selection : " because Lisa Moore was working on her own Penguin Book of Contemporary Canadian Women's Short Stories at approximately the same time , we conferred with ...
45 “How Pearl Button Was Kidnapped” 335, 340 “How to Read a Mark Jarman Story” 329 Huggan, Graham 165, 174 Huggan, Isabel 227 Huia Short Stories 62-72 Hulme, Keri 83 Hundreds and Thousands 147, 152 Hunting the Wild Pineapple 79-81 Huria ...
Point de vue Le point de vue , notion empruntée à l'analyse iconographique et appliquée métaphoriquement aux textes , se définit comme la position particulière en fonction de laquelle une vision sur un sujet quelconque est livrée .
Instead of limiting the category to a single group based on a collective identity, this volume considers lost generations as a particular type of modernist identity attributable to multiple and disparate collectivities.
Identifying Gallant as a late modernist figure at the juncture of multiple, interacting fields also connects with the thrust of ... Translocated Modernisms: Paris and Other Lost Generations (2016, with Emily Ballantyne and Dean Irvine) ...
Rather like the Platonic dream allegories of the contemptus mundi tradition in which the gaze of the subject soars to the vantage point of the immutable eighth sphere, looking down on the empire or nation which is a mere dot on the tiny ...
Ce recueil bilingue consacré à l'écrivain canadien Margaret Atwood, reconnue comme l'une des figures dominantes de la littérature d'expression anglaise, contient l'intervention qu'elle a prononcée à Rennes en novembre 1998 sur son ...