" This is followed by a long essay on how Streisand's idiosyncratic self-realization marks her as a unique national treasure, an artist without limits. Then comes the major part of the book, a work-by-work analysis.
Offers a history of American musical theater from the 1920s through to the 1970s, and includes such famous works as "Oklahoma!," "The Red Mill," and "Porgy and Bess."
Covers the origins of opera in Florence, Venice, Paris, Hamburg, and London, chronicling sociopolitical factors, the influence of the popular arts, and the great singers
At the Madcap Heiress', guests are an audience to be charmed and scandalized. All queens are funny: because the only other thing they can be is bitter. But this queen is insightfully ridiculous, like Dali's mustache.
Relaxed and accessible in style, this authoritative guide is the first symphony handbook for non-musicians. The book begins with a general introduction to the symphony and short pieces on the...
... “Mine,” is a quodlibet, though both melodies are dreary. The show itself wasn't. Cruel and sour, it was a kind of Where do we go after Of Thee I Sing ? Why didn't they write sequels to Anything Goes, Brigadoon , My Fair Lady?
He also covers illuminating trivia--the spy thriller The Lady Comes Across, whose star got so into her role that she suffered paranoid hallucinations and had to be hospitalized; the smutty Follow the Girls, damned as "burlesque with a ...
As this text looks back at Chicago's various moving parts, we see how the American theatre serves as a kind of alternative news medium.
In 1975, the Broadway musical Chicago brought together a host of memes and myths - the gleefully subversive character of American musical comedy, the reckless glamour of the big-city newspaper, the mad decade of the 1920s, the work of Bob ...
5 in D Major This work stands out in the Brandenburg series for its harpsichord solo, which is surprisingly prominent in an era that did not ... The third movement, a chummy dance, brings the string band back in for a light finale.
With authorit, and wit, Ethan Mordden explores American film and filmmakers in a crucial decade, the 1960s--the decade in which the way Hollywood made moviews and the way audiences perceived...
True, The Mikado seems almost entirely an airhead of a show. It even lacks a clear-cut protagonist, the figure who, by definition of the ancient Greek stage, drives the plot. G & S never give us a Phantom Of the Opera, a Matilda: ...
In All That Glittered, Ethan Mordden, long one of Broadway's best chroniclers, recreates the fascinating lost world of its golden age.
Offers a history of American musical theater from the 1920s through to the 1970s, and includes such famous works as "Oklahoma!," "The Red Mill," and "Porgy and Bess."
Mordden recounts these stories in his own unique voice, amplifying events for reading pleasure and adding in background material so the opera newcomer can play on the same field as the aficionado.
Here's the book that chronicles what happens when stage geniuses come up against the anti-intellectual producers of Hollywood.
From backstage squabbles and box-office chicanery to the gallantry and glory of creation, this book of stories unveils a delightful panorama of opera lore.
Innovations in dance were pioneered by Balanchine and others. Scenic advancements made Astaire's The Band Wagon move across the stage in novel ways. Gershwin's revolutionary Porgy and Bess entered the canon of American Classics.
In 1975, the Broadway musical Chicago brought together a host of memes and myths - the gleefully subversive character of American musical comedy, the reckless glamour of the big-city newspaper, the mad decade of the 1920s, the work of Bob ...
' ... Mordden is the preeminent historian of the form, and his book will be required reading for readers of all walks, from the most casual of musical theater goers to musical theater buffs to students and scholars of the form"--