Relyea, Lane 109,122 Rembrandt 142 Renoir, Pierre-Auguste 33, 34,35, 123–124, 127, 129–130, 134, 150, ... 108–109, 110, 152, 154–156, 157, 173, 179n.15 arbitrary 155 motivated 32–33, 34 155 Simplicity 131, 134, 172 204 | INDEX S.
Hind, C. Lewis. The Post Impressionists. London: Methuen, 1911. “Hit Mud with Brick; Result, Cubist Art.” Chicago Inter-Ocean March 9 1913. Hollywood, Dick [Marquis, Don]. “The Sun Dial: Taking up Music in a Serious Way.
In turning to these materials, the book reevaluates how modernism interacted with the public and describes how a new aesthetic begins: not as a triumphant explosion that initiates irrevocable changes, but as an uncertain muddling and ...
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
“I have shod my geese with glass Greener than young April was, They are making happy hiss With Clothilda's idiot niece: But old kings and barren queens Smile like empty soup tureens, Lest their cabbage hearts should quail When my silver ...
This is scholarship that challenges stale thought and interacts with philosophical ideas in real time, with a versatility that can often be lacking in traditional academic scholarship.
After an initial chapter that develops a theory of prestige and the poignancy of its loss, the book looks at how arguments of prestige function in systems of representation, various media, and art's relationship to affect.
With accessible writing and a careful application of contemporary theory, this is scholarship that challenges stale thought and will appeal to any progressive thinker looking for new ways to present ideas.
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. In The Difficulties of Modernism , Leonard Diepeveen examines how difficulty became central to our encounters with modern literature and culture.