Robert Hurley. Harmondsworth: Penguin, 1985. Fox-Genovese, Elizabeth, E.D. Hirsch, Marjorie Perloff, John P. Sisk, Mitchell J. Morse. “Responses to Robert Scholes.” Salmagundi 72 (1986) 118–63. Frank, Anne. The Diary of a Young Girl: ...
“ Shellshock and the psychologist , in W. Bynum , R. Porter and M. Shepard ( eds ) , The Anatomy of Madness : Essays in the History of Psychiatry . Vol . II , Institutions and Society . London : Tavistock . Sukla , J. A. ( ed . ) ...
This volume brings together philosophers and literary theorists to reflect upon the challenge Coetzee has made to their respective disciplines, and to the disciplinary distinctions at stake in the ancient quarrel.
This is particularly evident in Sabbath's performance of the end of King Lear on the New York subway with a Julliard student who both reminds him of the lines and takes the role of. 44 Philip Roth's Rude Truth 163, 170.
The Oxford History of Life-Writing consolidates recent academic research and debate to provide a multi-volume history of life-writing.
According to Lonergan, theology is a collaborative project, and nowhere is this more evident than in relation to ... Quoted in Frederick E. Crowe, Developing the Lonergan Legacy: Historical, Theoretical and Existential Themes, ed.
By the end of the timespan covered in this book life-writing was no longer something done mainly by important individuals who wrote their autobiography, or by sensitive souls who kept a diary.
... emotions, the imagination, and the psychic life, has universal appeal, Bhabha elaborates. But it is only ever ... narrative authority: the use of the third person, present tense in his autobiographical fiction; the presentation of ...
Opening up a range of new approaches to this major contemporary author, J. M. Coetzee and the Novel argues that it is only by paying especially close attention to the experience of reading Coetzees finely-nuanced prose that his distinctive ...
By the end of the timespan covered in this book life-writing was no longer something done mainly by important individuals who wrote their autobiography, or by sensitive souls who kept a diary.
By the end of the timespan covered in this book life-writing was no longer something done mainly by important individuals who wrote their autobiography, or by sensitive souls who kept a diary.
This book argues that the significance of Coetzee's complex and finely-nuanced fiction lies in the acuity with which it both explores and develops the tradition of the novel - ranging from Cervantes, Defoe, and Richardson, to Dostoevsky, ...