Of some 300 relevant vases, 109 are reproduced and accompanied by a picture-by-picture discussion. This book supplies a rich and unprecedented resource from a neglected treasury of painting.
Consider this example, which contains that wellknown phrase 'amid our troubles'. It occurs in the scene with Creon, when Oedipus asks why nothing was done to find Laius' killers immediately. Creon replies in the Yeats version: [Cf.
E. Gowers , The Loaded Table : Representations of Food in Roman Literature ( Oxford 1993 ) . A. Hardie , Statius and the Silvae ( Liverpool , 1983 ) . J. Henderson , Figuring out Roman Nobility : Juvenal's Eighth Satire ( Exeter ...
Imagination, helped by anachronistic sources, has played the chief role for those dealing with the dramaturgy of Aeschylus' works, and the result hasusually been stages crowded with extras and equipment.In this book, the author approaches ...
In this book, Taplin looks for clues to Aeschylus's stagecraft in the texts of the plays themselves, analyzing the exits and entrances that occur throughout his works.
These original and distinctive verse translations convey the vitality of Sophocles' poetry and the vigour of the plays in performance, doing justice to both the sound of the poetry and the theatricality of the tragedies.
Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances.
The past, for all its alienness, affects and changes the present.'The focus of this book - its new perspective - is on the 'receivers' of literature: readers, spectators, and audiences.
SHAPIRO, H. A. (1977), Personification of Abstract Concepts in Greek Art and Literature to the End of the Fifth Century BC ... The Eye of Greece: Studies in the Art of Athens, 149–81. ... Greek Vases: Images, Contexts and Controversies.
Oliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances.
The book explores what has been made out of ancient Greece, and how the modern world has been inspired by, reacted against, imitated, transformed, parodied, recycled, subverted or received Greek...