Geoffrey Galt Harpham, whose previous book, The Ascetic Imperative in Culture and Criticism, was one of the first to announce the critical renewal of ethics, attempts in this new book to explain why ethical questions resist settlement.
And they will be pleased to know that “Eric Chalmers' English class focuses on the imagination, pursuing the goal of world ... is reported to have said, “You can't narrow it down to just our country anymore—it's the whole planet” (52).
The contents of this book cover beneath and beyond the 'crisis in the humanities', between humanity and the homeland, gold mines in Parnassus, melancholy in the midst of abundance, and much more.
Geoffrey Galt Harpham argues that scholars play a unique role in liberal society, manifesting in refined form the freedoms it guarantees and demanding that it make good on those same guarantees.
In this book, Geoffrey Galt Harpham argues that the most powerful and effective criticism demands to be read as an expression of a distinctive sensibility, a way of being in the world; it demands, in other words, to be read as a discourse ...
Each of these works sought to make a statement about American identity in the form of a narrative, and each included in that narrative a prominent role for Black people.
In this bold interdisciplinary work, Geoffrey Galt Harpham argues that asceticism has played a major role in shaping Western ideas of the body, writing, ethics, and aesthetics.
Although Scheja and most others seem to presume that the work ” begins and ends with the paintings of Grünewald , this presumption would have been foreign to both Grünewald and his contemporaries , who , the evidence suggests , regarded ...
Framed by essays that draw on Harpham’s pedagogical experiences abroad and as a lecturer at the U.S. Air Force Academy, as well as his vantage as director of the National Humanities Center, this book provides an essential perspective on ...
Ben shu gai shu le wen xue li lun,Wen xue shi he wen xue pi ping fang mian de guan jian shu yu.Zai yuan you de"shu yu suo yin"ji chu...
This text defines and discusses terms, critical theories, and points of view that are commonly used to classify, analyse, interpret, and write the history of works of literature.
Geoffrey Galt Harpham’s book takes its title from a telling anecdote.
Scholarship and Freedom threads its general arguments through examinations of the careers of three scholars: W. E. B. Du Bois, who serves as an example of scholarly character formation; South African Bernard Lategan, whose New Testament ...
... beyond formalism " in a quest Hartman acknowledges to be hopeless , a quest to achieve a di- rect intuition of reality . The critical recognition of the limits of formalism merely accedes to this fact about literature and tries to find ...