Centered squarely on the Negro-white conflict, both Dutchman and The Slave are literally shocking plays--in ideas, in language, in honest anger.
The author, poet, playwright, and composer documents the racial politics of America between 1960 and 1965 in a collection of essays on urban life, boxing, black sexuality, Harlem, and the Cuban revolution.
Discusses modern jazz movements and musicians, including Ornette Coleman, John Coltrane, Sonny Rollins, Cecil Taylor, Eric Dolphy, Archie Shepp, and Sun-Ra.
The essential collection of jazz writing by the celebrated poet and author of Blues People—reissued with a new introduction by the author.
About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work.
A collection of poems, some recent and some previously out-of-print, includes Malcolm Remembered (Feb. '77), 3rd World Blues, Nixon, Civil Rights Poem, Young Soul, and Preface to a Twenty Volume Suicide Note
In the essay “Jazz and the White Critic” LeRoi Jones observes: “Most jazz critics have been white Americans, but most important jazz musicians have not been.” In Black Music ,...
" So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history.
Amiri Baraka, also known as LeRoi Jones, was known not only as a poet, playwright, and founder of the Black Arts movement, but also as one of the most provocative voices of the civil rights era and beyond.