Books written by S. P. Cerasano
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Medieval and Renaissance Drama in England
Reprinted in Jonathan Potter, Country Life Book of Antique Maps: An Introduction to the History of Maps and How to Appreciate Them (London: Country Life Books, 1988), 47, 117, 114. 11. Willem Janszoon Blaeu, Nova Totius Terrarum Orbis ...
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A Routledge Literary Sourcebook on William Shakespeare's The Merchant of Venice
This student friendly book draws together text, context, criticism and performance history to provide an integrated view of one of the most dazzling works of the early modern theatre.
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Medieval and Renaissance Drama in England
... is editing Jonson's comedy Volpone for the forthcoming modernized six-volume Cambridge Ben Jonson. In Ben Jonson, Volpone, and the Gunpowder Plot, a by-product of his editing labors, Dutton REVIEWS 189.
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Medieval and Renaissance Drama in England
Cyrus Hoy, Introductions, Notes and Commentaries to Texts in The Dramatic Works of Thomas Dekker Edited by Fredson Bowers, 4 vols. (Cambridge: Cambridge University Press, 1980), vol. 1, 90. 21. Ibid., 86. 22.
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Readings in Renaissance Women's Drama: Criticism, History, and Performance 1594-1998
She had, after all, been the dedicatee of several other works, beginning with Drayton's Englands Heroicall Epistles (1597). The final two women patrons of drama are the best known: the Countess of Bedford and the Countess of Pembroke.
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Gloriana's Face: Women, Public and Private, in the English Renaissance
See also Strong , Gloriana , pp . 95-107 . 53. Thomas Salter , A Critical Edition of Thomas Sailer's The Mirrhor of Modestie , ed . Janis Butler Holm ( New York : Garland , 1987 ) , pp .
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Medieval and Renaissance Drama in England
Donnan , Documents Illustrative of the History of the Slave Trade to America , 1 : 5 ; Phillips , American Negro Slavery , 12-13 . 79. Harry Harmer , The Longman Companion to Slavery , Emancipation and Civil Rights , ( London : Longman ...
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Medieval and Renaissance Drama in England, vol. 27
... the means of initiating the reader in ''an experience that reproduces the . . . wonder of a religious revelation. ... the original ritual meaning of mystery was extended to describe literature that requires an elite audience to ...
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Medieval and Renaissance Drama in England
Voyage Drama and Gender Politics , 1589-1642 : Real and Imagined Worlds , by Claire Jowitt . Manchester and New York : Manchester University Press , 2003 . Pp . vii + 240. Cloth $ 79.95 . Reviewer : Daniel Vitkus Claire Jowitt's ...
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Medieval and Renaissance Drama in England
Magic on the Early English Stage , by Philip Butterworth . Cambridge : Cambridge UP , 2005. Pp . ix + 295. Hardcover $ 85.00 . Reviewer : Marina Favila Magic is a marvelous subject , literally . It's not surprising that the wonder of it ...
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Julius Caesar: An Authoritative Text, Contexts and Sources, Criticism, Performance History
Shakespeare's tragedy of one of the most famous assassinations in the world at an epoch-changing time in history.
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Medieval and Renaissance Drama in England
Chapter 9 provides five different critical views of the problem plays, the first by E. M. W. Tillyard, the second by Harold ... these plays is by David McCandless, Gender and Performance in Shakespeare's Problem Comedies (Bloomington, ...
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Medieval and Renaissance Drama in England
For a discussion of the problems involved in the use of stylo-statistical methods see Lene P. Petersen, Shakespeare's Errant Texts (Cambridge: Cambridge University Press, 3010). 149. Arthur F. Kinney, ''Transforming King Lear'' in ...
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Medieval and Renaissance Drama in England, Vol. 35
Medieval and Renaissance Drama in England, Vol. 35
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Medieval and Renaissance Drama in England
Contains essays and reviews relevant to drama and theatre history to 1642.
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Medieval and Renaissance Drama in England
Twelve reviews complete the collection.
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Readings in Renaissance Women's Drama: Criticism, History, and Performance 1594-1998
... Lady'.55 The comparison is enhanced by the fact that, with her gentry origins, Cavendish was herself an apocryphal lady.56 Evelyn indicates that 'the theatre of Margaret' was the ultimate monologic performance: 'My part was not yet to ...