Books written by Fintan Cullen

  • Sources in Irish Art: A Reader

    3 , British School , Cambridge University Press , 1977 Images and Insights , Dublin , Hugh Lane Municipal Gallery of Modern Art , 1993 Irish Art 1770–1995 , History and Society . A Touring Exhibition from the Collection of the Crawford ...

  • Ireland on Show: Art, Union, and Nationhood

    ... by Jeffrey A. Auerbach and Peter H. Hoffenberg The Yeats Circle , Verbal and Visual Relations in Ireland , 1880–1939 Karen E. Brown Cover illustration : Charles Bell Birch , Walter Richard Pollock Hamilton , bronzed plaster , c .

  • Sources in Irish Art 2: A Reader

    Sources in Irish Art 2: A Reader

  • Ireland on Show: "Art, Union, and Nationhood "

    Barnard, Toby, Making the Grand Figure. Lives and Possessions in Ireland, 1641–1770 (New Haven and London: Yale University Press, 2004). Bardon, Jonathon, A History of Ulster (Belfast: Blackstaff, 1992). —, ireland on show 178.

  • A Shared Legacy: Essays on Irish and Scottish Art and Visual Culture

    Essays on Irish and Scottish Art and Visual Culture Fintan Cullen ... Artists who apparently 'do not belong', or whose presence in certain circles is somehow contrary to the agendas of ... Dictionary of Scottish Art and Architecture.

  • Ireland on Show: "Art, Union, and Nationhood "

    315; for Leinster House, see David J. Griffin and Caroline Pegum, Leinster House, 1744–2000. An Architectural History (Dublin, 2000), pp. 31–3. Other country houses with display schemes include Castletown, Co. Kildare; Newbridge House ...

  • Sources in Irish Art: A Reader

    ... RHA . Some years its hopes were raised only to be dashed the next . " [ ... ] The bitterest disappointment for the authors of The Nation was Frederick ( later Sir Frederick ) William Burton ... Aran fisherman's drowned child ' , encouraged ...

  • Ireland and the British Empire: Essays on Art and Visuality

    This book will be invaluable not just for scholars of Irish culture, but for the study of the crucial significance of the visual in the historical formation of empire more generally.» (Fionna Barber, Reader in Art History, Manchester ...