1988 ) : 751–57 ; Bonnie R. Strickland , " Sex - Related Differences in Health and Illness , " Psychology of Women Quarterly ... Darrel A. Regier , Jeffrey H. Boyd , Jack D. Burke , Jr. , Donald S. Rae , Jerome K. Myers , Morton Kramer ...
A sweeping examination of the women's movement identifies the factions--economic, political, and cultural--that have led to its demise, looking at film, fashion, science, law, politics, and the media
As literary scholars Sandra M. Gilbert and Susan Gubar observe of the postwar era, "[Just as more and more women were getting paid for using their brains, more and more men represented them in novels, plays, and poems as nothing but ...
This 20th-anniversary edition of the extraordinary New York Times bestseller features a new introduction from the author! "Stiffed is a brilliant, important book.
32–33 ; Pearce , “ The Significances of the Captivity Narrative , " pp . 11-12 . 6. Douglas , Feminization of American Culture , pp . 51-52 . 7 . Rachel Plummer , “ Narrative of the Capture and Subsequent Sufferings of Mrs. Rachel ...
Why were independent female voices censured and a bugle call sounded to return to Betty Crocker domesticity ? Why were our political and cultural stages suddenly packed with Lone Ranger leaders , Davy Crockett candidates , and John ...
Il sesso del terrore. Il nuovo maschilismo americano
PULITZER PRIZE FINALIST ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR WINNER OF THE KIRKUS PRIZE From the Pulitzer Prize-winning journalist and bestselling author of Backlash, comes In the Darkroom, an astonishing ...
Sz F é ü rfi let é (Certifi si an y ak cate of Birth: S ö n yvi ki v onat: Friedman S á muel Friedman. á muel. October 1867 Okt 15, óber 1867. 1886. 25. Halotti an F é Male. rfi . Izr aelita y Jewish.) ak ö .
Jag förberedde ett åtal, samlade bevis inför en rättegång. Men någonstans på vägen omvandlades åklagaren till vittne. Så inleder Susan Faludi sin djupgående och berörande undersökning av familj, kärlek och identitet.
En el cuarto oscuro es un libro minucioso, reflexivo y potente sobre la identidad de sexo y de género, y sobre la identidad nacional de un país que, al igual que muchas personas, necesita inventar su propia historia.
Le 7 juillet 2004, Susan Faludi reçoit un e-mail d’une certaine Stéfanie, accompagné de photographies.
Mijn vader was 77. Zo begint Susan Faludi's onderzoek naar de betekenis van identiteit in de moderne wereld en naar de verhalen die rondspoken in haar eigen familie.
When Wayne's Sergeant Stryker dies in the closing scene of Sands of Iwo Jima, his grunts find in his pocket an unfinished letter to his son. It is the beginning of a paternal confession: as a father, Stryker testifies in the note, ...
„Slova jako ‚stvoření', ‚nestvůra' a ‚nepřirozený' si trans lidé musejí znovu přivlastnit,“ žádala dále Stryker. „Když vstáváme z operačních stolů našeho znovuzrození, my transsexuálové jsme něco víc a něco jiného než ta stvoření, ...
It's something our society is doing to women. The book was nothing less than a landmark.
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What has made women unhappy in the last decade? Faludi writes 'is not their equality' - which they don't yet have - but the rising pressure to halt, even worse, women's quest for that equality.
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