An interesting experimental literature has grown up around the linguistic concepts of coherence and plausibility (eg: Black, Freeman and Johnson-Laird, 1986). Applied to music they suggest that a text may be understood (appreciated, ...
Key distance effects on perceived harmonic structure in music. ... Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. ... Cues for key perception of a melody: pitch set along?
The second edition of The Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast-growing area of research.
The Oxford Handbook of Music Psychology will be the essential reference text for students and researchers across psychology and neuroscience.
A timbre interval can be considered as a vector in space connecting two timbres. It has a specific length (the distance between the timbres) and a specific orientation. Together these two properties define the amount of change along ...
... USA Kaivon Paroo Department of Neuroscience Brown University Providence, RI, USA Aniruddh D. Patel The Neurosciences Institute San Diego, CA, USA Stefan Koelsch Cluster of Excellence “Languages of Emotion” Freie Universität Berlin ...
... rich in associative power, multifarious in form and culturally-emblematic surely has much to offer to the quest ... ways in which aspects of cognitive-scientific studies had fed back into the general theory and practice of music.
Oxford Handbooks offer authoritative and up-to-date reviews of original research in a particular subject area. Specially commissioned chapters from leading figures in the discipline give critical examinations of the progress...
Proceedings of Cambridge Conference on Music and the Cognitive Sciences, 1990 Ian Cross, Irène Deliège. concern with accounting for musical behaviours ; however , while ethnomusicology tends to do so on the basis of the cultural and ...