Step inside the world of the talented art departments who, led by Academy Award®-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts in J.K. Rowlingâe(tm)s Fantastic Beasts and Where to Find Them. The Art of the Film, edited by concept artist Dermot Power, takes you on a magical journey through a design process every bit as wonderful as Newt Scamanderâe(tm)s adventure in the wizarding world. Bursting with hundreds of production paintings, concept sketches, storyboards, and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this sumptuous volume presents a visual feast for readers, and welcomes fans of the Harry Potter films into the world of Fantastic Beasts and Where to Find Them.
What does it mean to turn one of the great graphic novels of our time into a major motion picture? In 1998, Frank Miller shook the comics world with his...
Bursting with hundreds of production paintings, concept sketches, storyboards, blueprints and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this superb book – ...
Packed with stunning concept art, sketches, costume detail, stills, and behind-the-scenes shots from the set, this book is an invaluable insight into the world of Justice League.
Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic ...
With insights on movie genres, influential designers, Hollywood politics and the impact of typography, this visually stunning book reveals how a powerful advertising medium became an artform itself and changed the face of graphic design.
Part manual and part manifesto, this book compiles more than fifty years of expertise from the staff of the world-renowned George Eastman Museum and the students of the L. Jeffrey Selznick School of Film Preservation into the most ...
New York , 193 ; article about the making of , 181–83 ; comments on Cinema 16 program notes for , 194 ; Jack Stauffacher as Father , 15 ; Knight's comments on , 220 ; in Series 4 program ( fall 1948 ) , 178 ; showing at Cinema 16 ...
The Art of Watching Films
With an introduction by Scott himself, this lavish book will be the only publication to accompany Prometheus.
John Box had one of the most continuously productive design careers in British cinema, winning a record for Academy Awards and four BAFTAs. After learning his craft in the 1950s,...