This reference source covers all aspects of the cinema, including film history, production, national cinemas, genre theory and criticism, and cultural contexts.
By comparison , the two other men , Sergeant J. T. Sanborn ( Anthony Mackie ) and Specialist Owen Eldridge ( Brian Geraghty ) , who maintain a safe perimeter and watch for snipers while Thompson works with the bomb , lack the same ...
More than seven thousand entries cover all aspects of world cinema: biographies and film credits for directors, producers, writers, and actors, awards, technical terms, major studios, and schools of film
Further reading Ford, Charles (1984) Albert Capellani, precursor méconnu, Bois d'Arcy: Archives du Film. ERIC LE ROY Capellani, Paul b. 1873,01. 1960 actor, France After working in the theater in Paris, Paul Capellani moved into the ...
John Sidney Blythe, Feb. 15, 1882, Philadelphia. d. 1942. ed. Georgetown Academy; Seton Hall (N.J.); King's Coll (Wimbledon, England). The youngest of the “Fabulous Barrymores,” he was the son of stage actors Maurice Barrymore (Herbert ...
Ephraim Katz's The Film Encyclopedia is the most comprehensive single-volume encyclopedia on film and is considered the undisputed bible of the film industry. Completely revised and updated, this sixth edition...
The final word on movies and the motion picture industry includes full biographies and film credits of stars, producers, directors, writers and more, plus an encyclopedic dictionary of all the technical aspects of film, explained in layman ...
Not an exhaustive encyclopedia of film studies, but a thorough study of 66 studios of all sizes and specialities. Treated alphabetically, each entry is a history which discusses stars, successes,...
... 74, 92, 114, 152, 171, 175, 176 Cottrell Boyce, Frank, 2–3, 4, 9, 10, 19, 25,44, 46, 47, 48–49, 51, 52, 53, 54, 55,57, 58, 86,87, 88, 90, 91,93, 97, 98,99,102,108,114,115,116,121, 122, 133–34, 136, 178, 191; credits, 196–200 Cowley, ...
In The Game of the Impossible, W.R. Irwin argues that fantasy fiction is a type of game between the reader and the text. Although he contends that: ''To make nonfact appear as fact, is essential to fantasy'' (9), the reader must possess ...
Gay and Lesbian Cinema: p. 513-514.