"Research on right and left hemisphere brain functions provides a metaphor and possibly even a physical explanation for the dual nature of the performing experience. Investigations by psychologists and neurologists suggest that the creative, non-verbal functions of the right hemisphere of the brain are equally important to our balance as whole personalities as is the dominant left hemisphere of the brain, long believed to direct logical and verbal functions. If the dominant left hemisphere can be temporarily overridden, we gain access to the creative right functions and a healthy balance occurs. It is this balance between the two hemispheres which creates the double awareness that the audience has of the performer as both actor and character. It is the balance which permits actors the simultaneous experience of emotional release and emotional control. Further study convinced the author the right-brain/left-brain approach was indeed a useful way of organizing the development of the creative processes."--Publisher description.
An acting teacher named Paul Mann, whose classes included such techniques as group nudity, allegedly had sexual relations with his students as a method of "releasing" them. Had he been bisexual he might have gotten away with it, ...
."..shows you how to silence the noise of your left brain, ignite your creative side, and live the life you've always imagined"--P. [4] of cover.
It is advisable for you as an actor to establish a short-term acting goal. What do you want to accomplish in acting in the very near future? You may make it as short term as this week. Write one achievable short-term personal goal.
Banfield, Chris (2000) “Acting with Both Sides of Your Brain? Consider the Consequences of Adopting More Rigorous Psychological Languages in Acting Research,” Research in Drama Education, 5, 2: 235–47. Baquet, Peter (1992) Personal ...
Actors are commonly advised that their 'world is the acting space' and where their 'concentration should be, not backstage, not in the audience but there in the make-believe world we have created' (Benedetti, 1998).
approaching character work —- as well as giving deeper insight into the actor's own psychological make-up. Thinking with the left brain and ... The right side of the brain governs sounds, interpretive meanings, context, and subtext.
Acting: A Handbook of the Stanislavski Method. New York: Crown, 1947. ————— and Helen Krich Chinoy. Actors on Acting. New York: Crown, 1980. Crawford, Jerry and Joan Snyder. Acting in Person and in Style. Dubuque, IA: W. C. Brown, 1976.
Quotes and illustrations: Thoughts from well-known directors, actors, and writers appear throughout the book, providing motivation, insight, and perspective. Abundant photographs and diagrams offer effective, dynamic examples of concepts.
Dallas Children's Theater is planning a permanent home . We want a space where ideas can be nurtured , where families can come together to rejoice , to explore , to question . Classroom space is important . The new building will allow ...
Acting with Both Sides of Your Brain. New York: Holt, Rinehart and Winston, 1986. Easty, Dwight Edward. On Method Acting. New York. Ivy Books, 1981. Felsenstein, Walter. The Music Theater of Walter Felsenstein. New York: Norton, 1975.