William S. Burroughs was one of the twentieth century’s most iconoclastic literary and artistic figures, an inimitable writer whose groundbreaking work in novels such as Junky and Naked Lunch forever altered the shape of American culture. Now, in this long anticipated collection, editor Bill Morgan takes readers through Burroughs’ correspondence from the early sixties through the mid-seventies, in more than three hundred letters that document Burroughs’ steady drift away from the Beat circle and that witness an era in which he became the center of a new coterie of creative people who would establish his reputation as an influential artistic and cultural leader beyond the literary world, toward multimedia. Written to recipients such as Allen Ginsberg, Gregory Corso, Jack Kerouac, Timothy Leary, and Burroughs’ son, Billy Burroughs Jr., these letters shed new light on the writer’s controversial artistic process and literary experimentation, as well as his complex personal life. Here are letters to new friends in North Africa and Eur-ope—partners in Burroughs’ expatriate life—including Paul Bowles, Ian Sommerville, Michael Portman, Alex Trocchi, and the surrealist artist Brion Gysin, who became a close confidant and whose “cut-up method” would deeply influence Burroughs’ writing. An intimate glimpse into the private life of an often misunderstood artist, Rub Out the Words is also an unforgettable portrait of one of the twentieth century’s most uncompromising literary personalities.
Last Words: The Final Journals of William S. Burroughs is the most intimate book ever written by William S. Burroughs, author of Naked Lunch and one of the most celebrated literary outlaws of our time.
It’s up to Inspector Lee of the Nova Police to attack and dismantle the word and imagery machine of these “control addicts” before it’s too late. This surrealist novel is part sci-fi, part Swiftian parody, and always pure Burroughs.
The William S. Burroughs Reader William S. Burroughs James Grauerholz, Ira Silverberg. occurrence and was considered an ... This was Jon Alistair Peterson, born in Denmark, now working on a secret government project in England.
But she soon learns that those very different worlds have one rule in common... If you don’t belong, you don’t survive for long. Note: The author has made some minor revisions to the original text for this edition of the book.
Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.
phrase “more symmetrical” by “displacing the words”, first producing the permutation “I am that am I” (George-Warren 1999: 186). ... I press the old button to give it a whirl; double speed and then, double that: Rub out the word .
A young boy meets many friendly sea animals as he travels underwater in his bright orange submarine.
My own Interior Space a He word—been read. You in the combination further. Near. Come out. It sick from spells. Stop. Change. I go back to brighten you O you ... In the beginning—You time, I rub out a word-lock, like love your vaults.
Rub out one of the words or phrases in the sentence and mime the need for a replacement word . As soon as a student volunteers one , write it in , even if it doesn't fit . Get the student to read the sentence with the new word in to see ...
The Word is divided into units which be all in one piece and should be so taken , but the pieces can be had in any order being tied up back ... Burroughs often describes the cut - ups as a tactile method that can “ rub out the word .