A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he may his way north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five year later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time.
"A formidable and lasting contribution to American literature." —Chicago Tribune Originally published in 1938, Uncle Tom's Children, a collection of novellas, was the first book from Richard Wright, who would go on to win international ...
Beloved by readers for seventy-five years, this classic adventure tale is beautifully presented for a new generation of readers.
“I'm Antwan, everybody call me Twan. ... He was from Murphy Homes housing project too, like every other kid in our bunk except me. ... His cousin was Jabari, the freckled pie-face guy that asked me to switch beds.
In Why Peacocks?, Flynn chronicles his hilarious and heartwarming first year as a peacock owner, from struggling to build a pen to assisting the local bird doctor in surgery to triumphantly watching a peahen lay her first egg.
"No longer can they just roll us a ball and say good luck, weÕre more than athletes." Dear Black Boy is a letter of encouragement to all the brown-skinned boys around the world who feel like sports are all they have.
In their 1967 blueprint for new political action, Stokely Carmichael and Charles V. Hamilton envisioned a different result from white power. “The ultimate values and goals are not dominion or exploitation of other groups, but rather an ...
There is an unsettling and totally frank personal story here, and a lot of raw social history as well. American Hunger, published posthumously in 1977, was originally intended as the second volume of Black Boy.
INSTANT NEW YORK TIMES BESTSELLER An urgent primer on race and racism, from the host of the viral hit video series “Uncomfortable Conversations with a Black Man” “You cannot fix a problem you do not know you have.” So begins ...
A chronicle of coming of age under the racial prejudices of the American south, as much the story of a writer finding his voice, Black Boy remains one of the great, impassioned memoirs of the twentieth century.
Exploring themes of literature, redemption, atonement, and love, this novel delivers a startling dose of moral ambiguity, keen insights into the human condition, and unexpected moments that devastate with their casual simplicity.