Making Kinesthetic Sense provides theoretical and practical guidance on teaching creative dance, particularly in educational settings. It is both a textbook for education courses and a resource for current teachers - both dance and nondance teachers. The authors speak from a passionate, lifelong commitment to arts education and over twenty years of experience as dance specialists in elementary schools and community settings. The authors' approach is heavily influenced by Barbara Mettler, Margaret H'Doubler, and Rudolph Laban, all legendary figures in the field of creative dance. Their theories are combined with the authors' own insights to explain dance theory in common language; provide methods of linking movement to academics; offer many ready-to-use, well-tested lesson plans, guide readers into building and presenting lessons of their own; and validate dance as art education.
The National Standards of Learning (Goals 2000: Educate America Act) include dance as one of four artistic disciplines that students are expected to study. This commitment to the art of dance as part of the core curriculum is affirmed in the No Child Left Behind Act of 2002. Even so, dance is commonly absent from the educational environment. This text explains how teachers can tap into this rich modality of learning and utilize it for not only for fitness, but also for developing individual and group problem-solving skills. The text will help teachers clarify the abstract concepts of creative dance so that they can draw upon their students' profound bodily-kinesthetic intelligence. Teachers will also learn how to link movement activities to academic subjects.
As a comprehensive teaching guide, Making Kinesthetic Sense addresses the "what", "why" and "how" of creative dance. Plentiful examples from classroom experience illustrate how movement can be used to help students learn concepts, solve problems, and understand a subject. Important progressions are outlined for transforming guided explorations into concrete forms. A sizable section of lesson plans reaches all subject areas and are adaptable to a wide range of age groups and settings.
Revised version of: Creative dance for learning: the kinesthetic link. Boston: McGraw-Hill, c2008.
You may want to have a discussion after this exploration about which body parts can move in many directions and which can move in only one or two. For example, the arms and legs can move in all directions, because they have joints that ...
This text presents easy-to-follow lesson plans for instructors who have no previous experience in teaching dance to children. It includes 34 short, directed lessons for teachers aiming for an enthusiastic...
First Steps in Teaching Creative Dance: A Handbook for Teachers of Children, Kindergarten Through Sixth Grade
Individual Education Program Date : 11-9-2005 Student Committee , Initials Objective Criteria and Evaluation Name : Laura Malone School : Meadowlark Mr. Thomas Monroe , principal Grade : 5 Mrs. Jean Delaney , classroom teacher Current ...
Gilbert, Anne Green ... Just think of the concept for the lesson, and emphasize the main concept vocabulary in each pattern, such as high and low Level; large and small Size, ... I'm a fuzzy caterpillar and I'm inching along.
"Offers 28 age-appropriate dances with music and options for incorporating dance in other academic areas for students ages 4 to 12.
Creative Dance for All Ages
This classic "must have" is NDA's most popular publication. Includes locomotor/nonlocomotor movement, assessment, and interdisciplinary topics.
Creative Dance in the Primary School