KEY BENEFIT: A glance at the pages ofArt in Renaissance Italyshows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other forms of visual production came to be. The authors also discuss how men and women of the Renaissance regarded art and artists, why works of Renaissance art look the way they do, and what this means to us. Unlike other books on the subject, this one covers not only Florence and Rome, but also Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples–each governed in a distinctly different manner, every one with individual, political, and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art that is its enduring legacy. Throughout, special features, including textual sources from the period and descriptions of social rituals, evoke and document the people and places of this dynamic age.The book covers the art and artists of Italy during the Renaissance–Florence, Rome, Milan, Venice, Naples and other regions, from the 13 th through the 15 th centuries.For Renaissance art enthusiasts and others interested in the art of Italy’s Renaissance.
On Daoism under the ]in, see Yao Tao~chung 1995. See Yao Tao-chung 1986: 204-5. . See Waley 1931: 101 and Iagchid ... A painting fragment in the State Hermitage Museum, St. Petersburg, perhaps shows a similar scene. Samosyuk 2006: 376.
Presents a collection of art and personal stories taken from the author's Web site in which participants respond to a variety of artistic assignments, including "Take a flash photo under your bed," "Write your life story in less than a day, ...
"Contextual in approch, this text draws on socio-economic and political studies as well as histories of religion, science, literature, and popular culture, and explores the diverse, conflicted history of American art and architecture.
Gary Willis 1972-1982: diary of a dead beat modern art type.
The Painter's Tongue: The Life of an Artist
Kunst und Befreiung
"In tracing the lifelong friendship and intersecting careers of Ufer and Hennings, the contributors to this volume explore the social and artistic implications of the artists' German heritage and training."--Book cover flap.
Deep storage - Arsenale der Erinnerung: Sammeln, Speichern, Archivieren in der Kunst ; [anläßlich der Ausstellung "Deep Storage - Arsenale...
Artworkers
An absorbing discussion of the myriad depictions of the indigenous people of Mexico and Peru in colonial times