These stories tell of a mysterious visitor, a man terrorized by a childhood fairy tale, drawings that bring the past to life, an eccentric violin maker, an enigmatic painting, and a ghostly apparition
Ten tales of fantasy and the supernatural by the German writer are presented together with biographical and explanatory notes
Mary Dibbern, Music Director of Education and Family Programs at The Dallas Opera, and adjunct faculty member at the University of North Texas has created a Performance Guide for Offenbach's opera The Tales of Hoffmann.
In this book, the "mad loves" that drive Les Contes d'Hoffmann--a poet's love, a daughter's love, erotic love, and fatal attraction to music--become figures for the fascination exercised by opera itself.
Television Opera: The Fall of Opera Commissioned for Television (Woodbridge, Suffolk: Boydell Press, 2003). Beecham, Sir Thomas. A Mingled Chime (London: Hutchinson, 1943). Calico, Joy H. Brecht at the Opera (Berkeley: University of ...
The humour of these tales is a result of the incongruity of supernatural beings at large in an ostentatiously everyday world.
Collects twenty-nine classic nineteenth-century horror tales from American, Irish, British, and European authors, with author information and explanatory notes.
This book has been considered by academicians and scholars of great significance and value to literature.
E.T. A. Hoffmann himself is a character in the opera just as he often is in his stories. The stories upon which the opera is based are Der Sandmann, Rath Krespel, and Das Verlorene Spiegelbild.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations.
Giroud and Kaye tell the full story of The Tales of Hoffman for the first time. After discussing the work's influences and history, the book details sources for the opera,...