Funny, gripping and wrenchingly truthful, these three blackly comic plays slice into the soul of suburbia. Couples - often mismatched, sometimes disorientated - dominate the action. The settings are simple - a kitchen, a bedroom, a party - all familiar terrains where husbands and wives meet, bewildered, puzzled and angry. 'In the hilarious delineation of marital pain there is no one to touch Alan Ayckbourn' Eric Shorter in the Daily Telegraph.
4 In the theft and ingenious defacing of books from Hampstead and Islington libraries that he and Kenneth Halliwell went in for , there was a farcical and subversive zest that was later to be channelled into the grotesquely inventive ...
Absurd person singular: "A scathing comedy of social striving in the suburbs, [this play] follows the fortunes of three couples who turn up in each others' kitchens on three successive Christmases, to hilarious and devastating effect.
the mechanical patterns of habit, the universal laws of mechanics themselves, and beyond all these, the mechanical manipulations of the plot—farce acknowledges our common helplessness. It follows that the mask of the farceur has two ...
... Bedroom Farce , Ayckbourn's 1975 play , takes place in three different bedrooms , initially setting the audience up for a traditional bedroom farce . Instead , our expectations are upended when the " boudoir ceases to be ... the locus ...
Set and lighting design were by Russell Schiavone . Stage Manager was Jennifer Milmore . Costumes were by Jane Milmore . The cast , in order of appearance , was as follows : KATHY ... DANNY .. JENNIFER PAUL . MARY BILL .
'Jessie Cameron' was first published in a collection of poems in 1866. Its author, Christina Rossetti, drew on aspects of the ballad form, such as the regular rhyming pattern, the story of unrequited love and the deaths of Jessie and ...
25062 THE SENATOR WORE PANTYHOSE ( Little Theatre ) ( COMEDY ) by Wm . Van Zandt and Jane Milmore 1 male , 3 female If you're tired of political and religious scandals , this is your greatest revenge ! Van Zandt & Milmore's latest ...
In its own way, Reluctant Heroes was as topical and as relevant as Osborne's Look Back in Anger six years later. Elsewhere in London's not-so-glittering West End of 1950, farce was staple fare, rather like musicals are today.
This last line in particular is relevant to the discussion because its English subtitle is 'This isn't a bedroom farce' which is not only a possible translation but a very good one. This is because, while at the locutionary level 'We ...
Winner of both Olivier and Evening Standard Awards for Best Comedy. This edition features a new introduction by Michael Blakemore.