This book is an account of painting in Italy during the period of the High and the Late Renaissance, the period which included the most remarkable concentration of accomplishments in the artistic history of Italy. No other time and place can offer a roster like the Cinquecento: Leonardo, Michelangelo, Raphael, Giorgione, Titian, and Correggio are the exalted luminaries in the constellation, and around them there is company of the magnitude of Sarto, Rosso, Pontormo, Bronzino, Parmigianino, Lotto, Tintoretto, and Veronese, to mention only some. The diversity of achievement of the painters is as remarkable as its quality; probably no earlier period offers so complex a picture of self-conscious differences of artistic style, in which an ethical attitude is often a major factor within an aesthetic one. The author delineates the painters' individualities and characterizes their important works. At the same time, however, he relates these individual events to categories and patterns that appear to a more general view of Cinquecento art. In ten carefully interwoven chapters he discusses the history of the classical style of the High Renaissance in the earlier decades of the century, the rise, spread, and eventual adulteration of the Mannerist style, and the events, in Venice and North Italy especially, that resist generalization and help make up the whole rich historical texture that is called the Late Renaissance. -- Inside jacket flap.
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...