Closer to Dylan Thomas than Matthew Arnold in his 'creative violence' and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Society of Jesus at the age of twenty-four, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wishes of my superiors'. The poems, letters and journal entries selected for this edition were written in the following twenty years of his life, and published posthumously in 1918. His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice. Intense, vital, individual, his writing is the 'terrible crystal' through which the soul, the inscape, the nature of things, may be illuminated.
Boyer, Anne. Garments Against Women. Boise, ID: Ahsahta Press, 2015. ———. “The Two Thousands.” Free Poetry 5, no. ... “If André Breton Were Alive Today He'd Be Spinning in His Grave: Surrealism and Contemporary Prose Poetry.
The prose poem is beginning to enjoy a tremendous upswing in popularity. Readers of this marvelous collection, a must-have for anyone interested in the current state of the art, will learn why.
This is a collection of prose poems that when collected tell the tale of a young man and his cross country travels.
Forty poems deal with the bonds between people and the natural world, the writing experience, and the importance of silence
In The Penguin Book of the Prose Poem, Margaret Atwood rubs shoulders with Claudia Rankine; Lu Xun and Rabindranath Tagore take seats in the family tree above Seamus Heaney and Simon Armitage; and Czeslaw Milosz sits just pages from Eileen ...
From A Woman Under the Surface:MOON AND EARTH Alicia Ostriker ?
Exploring the Language of Poems, Plays and Prose examines how readers interact with literary works, how they understand and are moved by them.
A general introduction provides an up-to-date and detailed historical account of the Anglo-Saxon period, and concise introductions open the literature sections of the book and many of the translations.
Swan is Oliver’s tribute to “the mortal way” of desiring and living in the world, to which the poet is renowned for having always been “totally loyal.”
Recite and Refuse places the work of state-sponsored writers in mutual relationship to prose poems by unorthodox and avant-garde poets, from cadre writers like Ke Lan and Guo Feng to the border-crossing intellectual and poet Liu Zaifu to ...