No philosopher has held a higher opinion of art than Hegel, yet nor was any so profoundly pessimistic about its prospects - despite living in the German golden age of Goethe, Mozart and Schiller. For if the artists of classical Greece could find the perfect fusion of content and form, modernity faced complicating - and ultimately disabling - questions. Christianity, with its code of unworldliness, had compromised the immediacy of man's relationship with reality, and ironic detachment had alienated him from his deepest feelings. Hegel's Introductory Lectures on Aesthetics were delivered in Berlin in the 1820s and stand today as a passionately argued work that challenged the ability of art to respond to the modern world.
Here is the complete collection of Hegel's "Lectures on Aesthetics," compiled from notes taken by both Hegel and his students on lectures given between 1818 and 1829.
This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art.
His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aestheticsin the standard edition of Hegel's collected works.
Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years.
Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.
Hegel's Lectures on Aesthetics present a systematic and historical overview of the nature and development of art in light of its meaning and philosophical significance. This book considers Hegel's aesthetics from a variety of perspectives.
Leading art critic and philosopher Arthur Danto here explains how the anti-beauty revolution was hatched, and how the modernist avant-garde dislodged beauty from its throne.
Hegel's Introduction to Aesthetics: Being the Introduction to the Berlin Aesthetics Lectures of the 1820s
Originallyfrom South Africa, he arrivedin England inthelate 1940s, making a name for himself chiefly through the analysis ofethnic conflicts. In Key Problems of Sociological Theory, Rex criticized Parsons primarily for his onesided ...