If Philosophy is the Why? And Science is the How? Then Poetry is the Wow! In this stunning, brand-new volume, you'll discover poems about poems, poems about life, poems about kangaroos and chameleons and caterpillars (though not in the same verse) and many more. This touching and thought-provoking collection will make you laugh, cry, or simply say 'Wow!'
“Some of the best and most moving Vonnegut.”—San Francisco Chronicle Slapstick presents an apocalyptic vision as seen through the eyes of the current King of Manhattan (and last President of the United States), a wickedly irreverent ...
This volume presents 14 essays exploring the enduring debates & questions surrounding slapstick's role in the origins of cinema, as well as its place in movies today.
Focusing on the works of Charlie Chaplin, Buster Keaton, Harold Lloyd, and Laurel and Hardy, among others, this book examines ways that the body represents or interacts with the mind, setting, voice and machines in slapstick films.
He is Dr Wilbur Daffodil-II Swain and Slapstick or Lonesome No More! is his story - one of monstrous twins, orgies, revenge, golf, utopian schemes, and very little tooth brushing.
MY WONDERFUL WORLD OF SLAPSTICK was written with the collaboration of Charles Samuels, co-author of His Eye Is On the Sparrow, Ethel Waters’ best-selling autobiography.
In this book, Burke Hilsabeck suggests that slapstick is often animated by a philosophical impulse to understand the cinema.
Hollywood Comedy (New York: Routledge, 1995), 87–105. See also Tom Gunning, “Buster Keaton, or the Work of Comedy in the Age of Mechanical Reproduction,” Cineaste 21, no. 3 (1995): 14–16; and Michael North, Machine-Age Comedy (New York: ...
Agee, James. “Comedy's Greatest Era.” Agee on Film: Reviews and Comments. Boston: Beacon, 1958. 2–19. ———. Let Us Now Praise Famous Men. ... Anderson, Nels, and Eduard C. Lindeman. Urban Sociology. New York: Alfred A. Knopf, 1928.
After the 1920s the violence imposed on slapstick bodies reappeared in multiplied and more diverse forms.21 As Alex Clayton notes in his recent book, The Body in Hollywood Slapstick, ...
Indeed in both these farces the nature of comic timing in relation to slapstick action comes to the fore. This occurs in Dry Rot when the characters have to keep banging on the hidden panel to prevent it from opening at the wrong moment ...