One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society
This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning.
These others may have been popular with miners, but Lloyd offers no evidence of this. But they may well have become so as a result of his book, as Lloyd wrote in the preface to the second edition: As it turned out, that modest first ...
The Penguin Book of English Folk Songs: From the Journal of the Folk Song Society and the Journal of the...
The Penguin Book of Canadian Folk Songs
This collection is filled with songs that tell of the pleasures and pains of love, the patterns of the countryside and the lives of ordinary people.
However, while the costume of modern-day morris dancers certainly retains many features that were present as far back as the 1580s, and the village green was indeed one of the dance's natural habitats, the morris also existed in other ...
The songs collected here are drawn from manuscripts, broadsides, and oral tradition. They are grouped according to the various categories of crime and punishment, from Poaching to the Gallows.
Oughta come on de river in 1910, Dey was drivin'de women des like de men. Wake up, dead man, an' help me drive my row, Wake up, dead man, an' help me drive my row. Some in de buildin' an' some on de farm, Some in de graveyard, ...
It remains one of the foundational collections of American folk music.
This broad-based collection of essays is an introduction both to the concerns of contemporary folklore scholarship and to the variety of forms that folk performance has taken throughout English history.