A startling, subversive novel about a teenage girl who has lost everything and will burn anything. Fourteen-year-old Lucia is a young narrator whose voice will long ring in your ears. She is angry with almost everyone, especially people who tell her what to do. She follows the one rule that makes any sense to her: Don't Do Things You Aren't Proud Of. Orphaned and living with her elderly aunt in poverty in the converted garage of a large mansion, Lucia makes her way through the world with only a book, a Zippo lighter, and a pocket full of stolen licorice. Expelled from school, again, Lucia spends her days riding the bus to visit her mother in The Home. When Lucia discovers a secret Arson Club, she will do anything to be a part of it. Her own arson manifesto is a marvellous anarchist pamphlet, written with biting wit and striking intelligence. The voice of teenaged Lucia is a tour de force: a brilliant, wrenching cry from the heart and mind of a super-smart, funny girl who can't help telling us the truth, a riveting chronicle of family, misguided friendship, and loss. How to Set a Fire and Whyis Jesse Ball's most accessible novel yet; after Silence Once Begunand A Cure for Suicide, the pyrotechnics on display here will dazzle. 'I was captivated from the first line...... Lucia belongs with all the great child truth tellers: David Copperfield, Huck Finn, Holden Caulfield...... I loved her and I loved the book, every page of it.' Peter Heller, author of The Dog Stars andThe Painter
Bushy, Bagot, Russell and Green, the leading members of the group, were in every sense the political ancestors of Henry VII's Empson and Dudley; and Bushy and Green, indeed, were to meet with the same grisly fate as Empson and Dudley.
This book offers a radical reinterpretation of Richard II. Nigel Saul paints a picture of the King as a highly assertive and determined ruler, one whose key aim was to exalt the crown.
The classic tragedy about the downfall of King Richard II is presented with critical commentary and historical background
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Richard III belongs to Shakespeare's folio of King Richard plays, and is the longest of his plays after Hamlet.
A new biography re-examining the complex and fascinating king, whose very humanity saw him deposed from his divine role.
This collection provides a comprehensive and up-to-date survey of the critical and theatrical history of the play. The substantial introduction surveys the history of critical interpretations of Richard II since the eighteenth century.
A range of material covering the 'tyranny' and deposition of Richard II and the usurpation of the throne by his cousin, who became King Henry IV.
A new balanced portrait of one of the most important and controversial of the medieval Plantagenet sovereigns.
It is based on the life of King Richard II of England (ruled 1377-1399) and is the first part of a tetralogy, referred to by some scholars as the Henriad, followed by three plays concerning Richard's successors: Henry IV, Part 1 Henry IV, ...