From Paul Auster, author of the forthcoming 4 3 2 1: A Novel – his very first book, a moving and personal meditation on fatherhood This debut work by New York Times-bestselling author Paul Auster (The New York Trilogy), a memoir, established Auster’s reputation as a major new voice in American writing. His moving and personal meditation on fatherhood is split into two stylistically separate sections. In the first, Auster reflects on the memories of his father who was a distant, undemonstrative, and cold man who died an untimely death. As he sifts through his Father’s things, Auster uncovers a sixty-year-old murder mystery that sheds light on his father’s elusive character. In the second section, the perspective shifts and Auster begins to reflect on his own identity as a father by adopting the voice of a narrator, “A.” Through a mosaic of images, coincidences, and associations “A,” contemplates his separation from his son, his dying grandfather, turning the story into a self-conscious reflection on the process of writing.
This is the story of a young man's struggle to stay afloat. By turns poignant and comic, Paul Auster's memoir is essentially an autobiographical essay about money--and what it means not to have it.
The capacity to be alone, properly alone, is one of life's subtlest skills. Real solitude is a powerful resource we can call upon--a crucial ingredient for a rich interior life.
A laugh-out-loud memoir about a free-spirited, commitment-phobic Brooklyn girl who, after a whirlwind romance, finds herself living in a rickety farmhouse, pregnant, and faced with five months of doctor-prescribed bed rest because of ...
A Trilogia de Nova Iorque. Trans. Luzia Maria Martins. Difusao Cultural, 1990. ... SPAIN La Ciudad de Cristal. Trans. Ramon de Espaf1a._]ucar, 1988. Fantasmas. ... La Musica del Azar. Trans. Maribel Dejuan. Editorial Anagrama, 1991.
Ungaretti attended French schools, and his first real encounter with Europe took place a year before the war, in Paris, where he met Picasso, Braque, De Chirico, Max Jacob, and became close friends with Apollinaire.
Looking at objects, letterforms, experiences, and even theatrical performances, award-winning author Jessica Helfand asserts that understanding design's purpose is more crucial than ever.
Originally published in 1988, Anthony Storr's bestselling meditation on the creative individual's need for solitude has become a classic.
Charles Dickens, David Copperfield (1850; London: Everyman's Library and Alfred A. Knopf, 1991), 848. 126. Dickens, David Copperfield, 850. 127. Dickens, David Copperfield, 851. 128. Dickens, David Copperfield, 851. 129.
The four prose texts discussed in Literary Rooms position themselves in a literary tradition which highlights the manifold purposes the private room may serve: it is a mirror of the inhabitant, a context in which to position the self, a ...
'Indispensable...a book that everyone interested in modern poetry should have close to hand, a source of renewable delights and discoveries, a book that will long claim our attention...To my knowledge,...