“Dazzling. . . The most revolutionary reimagining of Jefferson’s life ever.” –Ron Charles, Washington Post Winner of the Crook’s Corner Book Prize Longlisted for the 2016 Center for Fiction First Novel Prize A debut novel about Thomas Jefferson and Sally Hemings, in whose story the conflict between the American ideal of equality and the realities of slavery and racism played out in the most tragic of terms. Novels such as Toni Morrison’s Beloved, The Known World by Edward P. Jones, James McBride’s The Good Lord Bird and Cloudsplitter by Russell Banks are a part of a long tradition of American fiction that plumbs the moral and human costs of history in ways that nonfiction simply can't. Now Stephen O’Connor joins this company with a profoundly original exploration of the many ways that the institution of slavery warped the human soul, as seen through the story of Thomas Jefferson and Sally Hemings. O’Connor’s protagonists are rendered via scrupulously researched scenes of their lives in Paris and at Monticello that alternate with a harrowing memoir written by Hemings after Jefferson’s death, as well as with dreamlike sequences in which Jefferson watches a movie about his life, Hemings fabricates an "invention" that becomes the whole world, and they run into each other "after an unimaginable length of time" on the New York City subway. O'Connor is unsparing in his rendition of the hypocrisy of the Founding Father and slaveholder who wrote "all men are created equal,” while enabling Hemings to tell her story in a way history has not allowed her to. His important and beautifully written novel is a deep moral reckoning, a story about the search for justice, freedom and an ideal world—and about the survival of hope even in the midst of catastrophe.
Ryan's photograph had been replaced with Justin Timberlake's. "Get in Synch with Justin on Earthly Pleasures," read the caption. “What are you gaping at?
Just like I know Justin Timberlake. I met him once. But I don't know him.” He nodded. “He's in the business. Geez, you people. So now the police are going ...
There was one sexy Maxwell hit after the next, a few Lionel Richie classics, some— thing by India.Arie and Justin Timberlake, and, of course, John Legend.
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... Timberlake's cat and how she climbs up the curtains,” Corrie offered. Kyle looked entranced by that idea. Sam had just reached the doorway when Kyle ...
“I'll tell him all about Mrs. Timberlake's cat and how she climbs up the curtains,” Corrie offered. Kyle looked entranced by that idea.
Before Farrah could even agree, Justin Timberlake was blaring at her down the phone. Farrah wasn't sure if she liked the thought of strange organisations ...
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La magia vera c'era stata. ... Se conoscete la canzone Timbaland, Nelly Furtado ft Justine Timberlake capirete la natura del ballo e che il seguito furono ...
Soudain la musique changea, passant sur Can't Stop the Feeling ! de Justin Timberlake. ... C'est la chanson du film Les Trolls, crut-elle bon de préciser.