Originally published: London: Raven Books, 2017.
The story Ruth has to tell of her deadly creations—of bitterness and betrayal, of death and dresses—will shake Dorothea's belief in rationality, and the power of redemption. Can Ruth be trusted? Is she mad, or a murderer?
While he devotes himself to his controversial medical trials, Louise finds herself increasingly discomfited by the strange tales her new maid tells of the fairies that hunt the land, searching for those they can steal away to their realm.
A Daphne Du Maurier-esque chiller set on the mysterious Cornish coast, from the award-winning author of The Silent Companions. 'Du Maurier-tastic' GUARDIAN 'Deliciously sinister' HEAT 'A clever, creepy read' SUNDAY...
WICKED DEEDS REQUIRE THE COVER OF DARKNESS... the new gothic thriller from Laura Purcell, bestselling author of The Silent Companions 'Dripping with atmosphere with a corkscrew plot, Laura Purcell just...
Room 39: Naval intelligence in action 1939–45, Weidenfeld & Nicolson, 1968. Mallett, Derek. Hitler's Generals in America: Nazi POWs and Allied military intelligence, University Press of Kentucky, 2013. Masterman, John.
A collection of three deliciously dark, atmospheric tales: read with the lights on.
A struggling silhouette artist in Victorian Bath seeks out a renowned child spirit medium in order to speak to the dead - and to try and identify their killers - in this beguiling new tale from the queen of Gothic fiction, Laura Purcell As ...
Using the sword and the pen, the body and the voice, they struggle not just to survive, but to make history. Here is the much-anticipated companion novel to Sofia Samatar’s World Fantasy Award-winning debut, A Stranger in Olondria.
Johnson pulls off a great feat in this book.” —Financial Times “It reminded me, in its general refusal to play nice, of early Ian McEwan.” —The New York Times Book Review “Johnson crafts an aching thriller about the dangers of ...
"Brilliant." —The New York Times Mapping the Interior is a horrifying, inward-looking novella from Stephen Graham Jones that Paul Tremblay calls "emotionally raw, disturbing, creepy, and brilliant.