This major work places Mozart's life and music in the context of the intellectual, political, and artistic currents of eighteenth-century Europe. Even as he delves into philosophic and aesthetic questions, Robert Gutman keeps in sight, clearly and firmly, the composer and his works. He discusses the major genres in which Mozart worked-chamber music; liturgical, theater, and keyboard compositions; concerto; symphony; opera; and oratorio. All of these riches unfold within the framework of the composer's brief but remarkable life. With Gutman's informed and sensitive handling, Mozart emerges in a light more luminous than in previous renderings. The composer was an affectionate and generous man to family and friends, self-deprecating, witty, winsome, but also an austere moralist, incisive and purposeful. Mozart is both an extraordinary portrait of a man in his time and a brilliant distillation of musical thought.
Twelve Years a Slave: Narrative of a Citizen of New-york, Kidnapped in Washington City in 1841, and Rescued in 1853,...
Behind the Scenes. by Elizabeth Keckley. Or, Thirty Years a Slave, and Four Years in the White House.
Personal Memoir of Daniel Drayton: For Four Years and Four Months a Prisoner (For Charity's Sake) in Washington Jail
Inaugurated for a second term on March 4, 1873, Ulysses S. Grant gave an address that was both inspiring and curiously bitter.
This is my ground, and I am sitting on it.” In May, Sioux leaders traveled to the capital, where Grant renewed efforts to persuade them to relocate to Indian Territory, “south of where you now live, where the climate is very much better ...
After whites massacred black militia in South Carolina, Grant warned that unchecked persecution would lead to "bloody revolution." As violence spread, Grant struggled to position limited forces where they could do the most good.
During the winter of 1864–65, the end of the Civil War neared as Lieutenant General Ulysses S. Grant maintained pressure against the dying Confederacy.
In his third annual message to the nation, Ulysses S. Grant stated the obvious: "The condition of the Southern States is, unhappily, not such as all true patriotic citizens would like to see.
Initial enthusiasm soon gave way to rancor, as factions split over where to place the fair. Grant favored Central Park, but public sentiment intervened, and funding evaporated. By March, Grant resigned.
In spite of his public silence, Grant was caught in the dispute between Congress and President Andrew Johnson. His position became intolerable after Johnson publicly accused Grant of dishonesty.