Wars in this century are radically different from the major conflicts of the 20th century--more amorphous, asymmetrical, globally connected, and unending. Choreographies of 21st Century Wars is the first book to analyze the interface between choreography and wars in this century, a pertinent inquiry since choreography has long been linked to war and military training. The book draws on recent political theory that posits shifts in the kinds of wars occurring since the First and Second World Wars and the Cold War, all of which were wars between major world powers. Given the dominance of today's more indeterminate, asymmetrical, less decisive wars, we ask if choreography, as an organizing structure and knowledge system, might not also need revision in order to reflect on, and intercede in, a globalized world of continuous warfare. In an introduction and sixteen chapters, authors from a number of disciplines investigate how choreography and war in this century impinge on each other. Choreographers write of how they have related to contemporary war in specific works, while other contributors investigate the interconnections between war and choreography through theatrical works, dances, military rituals and drills, the choreography of video war games and television shows. Issues investigated include torture and terror, the status of war refugees, concerns surrounding fighting and peacekeeping soldiers, national identity tied to military training, and more. The anthology is of interest to scholars in dance, performance, theater, and cultural studies, as well as the social sciences.
Keith Bain, a born teacher and himself a champion dancer, actor and choreographer, was the first in Australia to create a comprehensive discipline in the study of movement for performance.
Danceforms 1.0: Software for Visualizing and Chronicling Choreography: A Practical Guide
Numerous famous and little-known paintings by Édouard Manet, Diego de Velázquez, Bartolomé Estéban Murillo, Francisco de Goya, Jusepe de Ribera, Théodule Ribot, Gustave Courbet, Eugène Delacroix and Jean-François Millet were thus put ...
'Movement', says Bain, 'is both how wemove and what moves us, Movement is the look in our eyes, the tensions and thetone in our muscles, our breathing, our thinking, our longings and fears.Movement has equal concern for the inner and outer ...
The book demystifies lighting for the dancer and helps designers understand how the dancer/choreographer thinks about their art form, providing insight into the choreographer's process and exploring how designers can make the most of their ...
A guide for dancers, choreographers and directors, this book examines all phases of the choreographic process, such as structuring the dance, creating floor plans, staging, director, costumes and styles.
Guided by the radically empiricist question "What Can Choreography Do?" the book investigates the performances of Antonia Baehr, Juan Dominguez, Xavier Le Roy, and Eszter Salamon, and the philosophical works of Gilles Deleuze and Félix ...
Many of these essays are illustrated by ninety-three photographs and a two-hour DVD (40 video excerpts). A project of UCLA – Center for Intercultural Performance, made possible through The Pew Charitable Trusts (www.wac.ucla.edu/cip).
Isadora Duncan: The Dances