The Oxford Handbook of Sound and Image in Digital Media surveys the contemporary landscape of audiovisual media. Contributors to the volume look not only to changes brought by digital innovations, but to the complex social and technological past that informs, and is transformed by, new media. This collection is conceived as a series of dialogues and inquiries by leading scholars from both image- and sound-based disciplines. Chapters explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, digital visualization technologies, experimental film, documentaries, video art, pornography, immersive theater, and electronic music. Sound, music, and noise emerge within these studies as integral forces within shifting networks of representation. The essays in this collection span a range of disciplinary approaches (film studies, musicology, philosophy, cultural studies, the digital humanities) and subjects of study (Iranian documentaries, the Twilight franchise, military combat footage, and Lady Gaga videos). Thematic sections and direct exchanges among authors facilitate further engagement with the debates invoked by the text.
This collection surveys the contemporary landscape of audiovisual media.
The Oxford Handbook of Sound and Image in Western Art examines, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms.
Written by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.
How do these advancements affect contemporary media and music? This collection traces how media, with a focus on sound and image, engages with these new technologies.
To explain his own way of working, Becker refers to the theater director Krystian Lupa and the latter's creation of a world behind the text. As a child, Lupa lived in a house with an immense garden. His theater practice started there.
So when Calavita writes, “It certainly makes more sense to say... that along with the French New Wave, avant-garde filmmaking, and perhaps psychotropic drugs, nonlinear electronic editing has affected the style of Oliver Stone's films ...
This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones.
Unruly Media is the first book to account for the current audiovisual landscape across media and platform. It includes new theoretical models and close readings of current media as well as the oeuvre of popular and influential directors.
Music and Its Lovers: An Empirical Study of Emotion and Imaginative Responses to Music. London: G. Allen & Unwin. Levinson, J. 1996. Musical Expressiveness. In The Pleasures of Aesthetics: Philosophical Essays, 90–125.
The book is a compendium of thinking on virtuality and its relationship to reality from the perspective of a variety of philosophical and applied fields of study.