From the turn of the century to the 1960s, the songwriters of Tin Pan Alley dominated American music. Irving Berlin, Cole Porter, George and Ira Gershwin, Rodgers and Hart--even today these giants remain household names, their musicals regularly revived, their methods and styles analyzed and imitated, and their songs the bedrock of jazz and cabaret. In The Poets of Tin Pan Alley Philip Furia offers a unique new perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a golden age of American popular song. Furia writes with great perception and understanding as he explores the deft rhymes, inventive imagery, and witty solutions these songwriters used to breathe new life into rigidly established genres. He devotes full chapters to all the greats, including Irving Berlin, Lorenz Hart, Ira Gershwin, Cole Porter, Oscar Hammerstain II, Howard Dietz, E.Y. Harburg, Dorothy Fields, Leo Robin, and Johnny Mercer. Furia also offers a comprehensive survey of other lyricists who wrote for the sheet-music industry, Broadway, Hollywood, and Harlem nightclub revues. This was the era that produced The New Yorker, Don Marquis, Dorothy Parker, and E.B. White--and Furia places the lyrics firmly in this fascinating historical context. In these pages, the lyrics emerge as an important element of American modernism, as the lyricists, like the great modernist poets, took the American vernacular and made it sing.
In this second edition of 'The Poets of Tin Pan Alley', authors Philip Furia and Laurie Patterson offer a unique perspective on these great songwriters, showing how their poetic lyrics were as important as their brilliant music in shaping a ...
In Ira Gershwin: The Art of the Lyricist, Philip Furia illuminates the craft behind this remarkable achievement to reveal how Gershwin took the everyday speech of ordinary Americans and made it sing.
For nearly a century, New York's famous "Tin Pan Alley" was the center of popular music publishing in this country.
A. Nelson Adams, ca. ... Adams, who composed the music for the Manila-published song about a woman's love for her man in uniform, also wrote the music for Beside the Pasig River, Camp Dewey March, Filipino March. ... George H. Rowe.
... James Ingo , 194 Freedman , Max C. , 109 Freud , Sigmund , 28 , 41 , 165 , 230 , 236 , 237 Friedan , Betty , 130 , 134 Friedlaender , Israel , 220 Friedlander , Isidore , 122 Friedländer , Saul , 186 Friedman , Benny , 203 Friedman ...
dylan's attitude toward interviewers in the 1960s and 1970s, and explains his bizarre non-answers to nonsensical questions. Picasso once told someone, “You must not always believe what i say. Questions tempt you to tell lies, ...
The twelve Vanderbilt Agrarians were an impressive lot: in alphabetical order, Donald Davidson, John Gould Fletcher, ... Frank Lawrence Owsley, John Crowe Ransom, Allen Tate, John Donald Wade, Robert Penn Warren, and Stark Young.
On the Captain's return with his betrothed (the Baroness von Schroeder) and friend Max, he is initially angry at the children's apparent lack of discipline, but is then astonished at how well they sing, and soon joins them.
"Modernist America" brilliantly explains why George Gershwin's music, Cole Porter's lyrics, Jackson Pollock's paintings, Bob Fosse's choreography, Marlon Brando's acting, and Orson Welles's storytelling were so influential, and why these ...
2 A Workhouse Child , & You Know What That Is ! After a time it is possible you may be attacked by home sickness , and you ... Apart from a few vague words , such as Hilda's later reference to her brother in the West ' , ' Tommy Blake ...