How can we account for the sudden appearance of such dazzling artists and scientists as Mozart, Shakespeare, Darwin, or Einstein? How can we define such genius? What conditions or personality traits seem to produce exceptionally creative people? Is the association between genius and madness really just a myth? These and many other questions are brilliantly illuminated in The Origins of Genius. Dean Simonton convincingly argues that creativity can best be understood as a Darwinian process of variation and selection. The artist or scientist generates a wealth of ideas, and then subjects these ideas to aesthetic or scientific judgment, selecting only those that have the best chance to survive and reproduce. Indeed, the true test of genius is the ability to bequeath an impressive and influential body of work to future generations. Simonton draws on the latest research into creativity and explores such topics as the personality type of the genius, whether genius is genetic or produced by environment and education, the links between genius and mental illness (Darwin himself was emotionally and mentally unwell), the high incidence of childhood trauma, especially loss of a parent, amongst Nobel Prize winners, the importance of unconscious incubation in creative problem-solving, and much more. Simonton substantiates his theory by examining and quoting from the work of such eminent figures as Henri Poincare, W. H. Auden, Albert Einstein, Marie Curie, Charles Darwin, Niels Bohr, and many others. For anyone intrigued by the spectacular feats of the human mind, The Origins of Genius offers a revolutionary new way of understanding the very nature of creativity.
As acclaimed historian Darrin M. McMahon explains, the concept of genius has roots in antiquity, when men of prodigious insight were thought to possess -- or to be possessed by -- demons and gods.
Abduction of Figaro, The, 55 Abel, Niels Henrik, 191 Abhinavagupta, 117 Achieved eminence versus tested intelligence, 17 Adams, Ansel, 43 Adams, John Couch, 215 Adler, Alfred, 94–95 Agazziz, Louis, 75 Age. See Life span, the Age and ...
Gunter, "Florentiner Maler Verarbeitcn ein Eyckisches Bild." in Wiener jahrbuchfur Kunstgcscliichte, voi. xxvn. 1974, pp. 1 sì8-9« Panofsky, Erwin, Renaissance and Renascences in Western Art, Stockholm, i960 Paolozzi Strozzi.
Thus Lavoisier's oxygen theory replaced Stahl's outdated phlogiston chemistry . In such cases , the domain may change its composition without necessarily growing . More often , however , new discoveries and inventions are added to the ...
the names of famous scientists of the past : OCCAM , BACON , GALILEO , GLAUBER , STAHL , FAHRENHEIT , BLACK , and DALTON . Furthermore , these tags are not wholly incidental . The heuristics implemented by the program often reflect ...
Drawing upon a wealth of previously unpublished and unknown material gathered over several years of research, Brave Genius tells the story of how each man endured the most terrible episode of the twentieth century and then blossomed into ...
Describes the life of the landscape architect responsible for New York's Central Park and Boston's Emerald Necklace including his lesser-known time spent as an influential journalist, early voice for the environment and abolitionist, all ...
1962 the science of creating geniuses and supermen through the influence of maternal hormones on the brain development of the embryo.
Dean Simonton provides an answer, not by choosing one explanation and ignoring the others, but rather by unifying all four perspectives into a single theory in which chance plays the primary role, but with the significant involvement of ...
This book provides a thorough review of the current state of knowledge on this age old idea, and presents new empirical research to put an end to this debate, but also to open up discussion about the implications of its findings.