'A Gilbert is of no use without a Sullivan.' With these words, W.S. Gilbert summed up his reasons for persisting in his collaboration with Arthur Sullivan despite the combative nature of their relationship. In fact, Michael Ainger suggests in Gilbert and Sullivan the success of the pair's work is a direct result of their personality clash, as each partner challenged the other to produce his best work. After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gilbert and Sullivan's starkly different backgrounds and long working partnership. Having survived an impoverished and insecure childhood, Gilbert flourished as a financially successful theater professional, married happily and established himself as a property owner. His sense of proprietorship extended beyond real estate, and he fought tenaciously to protect the integrity of his musical works. Sullivan, the product of a supportive family who nourished his talent, was much less satisfied with stability than his collaborator. His creative self-doubts and self-demands led to nervous and physical breakdowns, but it also propelled the team to break the successful mode of their earliest work to produce more ambitious pieces of theater, including The Mikado and The Yeoman of the Guards . Offering previously-unpublished draft libretti and personal letters, this thorough double-biography will be an essential addition to the library of any Gilbert and Sullivan fan.
Hesketh Pearson’s biography is of the two men who had individual, quite different, personalities – and their equally famous quarrel. Pearson describes their lives rather than criticise their works.
He was in Leeds on Saturday, September, for a choral rehearsal and then was back in London on the Sunday, rehearsing Geraldine Ulmar, Courtice Pounds, Jessie Bond, and Rutland Barrington, the four singers in the complicated number ...
... Shakespeare: Bardolatry and Burlesque in the Nineteenth Century (Cambridge: Cambridge University Press, 2002), p. 72. Davis, Actresses as Working Women, pp. 105–36. Donald Roy, introduction to Plays by James Robinson Planché, ed.
From the partially lost work Thespis, the first collaboration between W. S. Gilbert and Arthur Sullivan, through the triumphant comic romps The Pirates of Penzance and The Mikado, to lesser-performed gems such as the fanciful The Sorcerer ...
The Complete Annotated Gilbert and Sullivan provides the complete text of all the Gilbert and Sullivan operas which are still performed today, together with extensive annotations covering 'lost' songs, alterations and additions, obscure ...
The Savoy Operas: The Complete Gilbert and Sullivan Operas Originally Produced in the Years 1875-1896
Perfect for enthusiasts, performers and students of Gilbert and Sullivan's enduring work, the book examines their legacy and looks forward to the future.
Most books written on Gilbert and Sullivan have focused on the authors rather than on their work. Examining all 14 operas in detail, this book offers a fresh look at the works themselves.
42 songs from the Gilbert and Sullivan repertoire from such works as Trial By Jury, H.M.S. Pinafore, The Pirates of Penzance, Princess Ida, The Mikado, and more. Many bandw photos. 256 pages.
Gilbert & Sullivan Choruses