Thomas Eakins is widely considered one of the great American painters, an artist whose uncompromising realism helped move American art from the Victorian era into the modern age. He is also acclaimed as a paragon of integrity, one who stood up for his artistic beliefs even when they brought him personal and professional difficulty--as when he was fired from the Pennsylvania Academy of Art for removing a model's loincloth in a drawing class. Yet beneath the surface of Eakins's pictures is a sense of brooding unease and latent violence--a discomfort voiced by one of his sitters who said his portrait "decapitated" her. In Eakins Revealed, art historian Henry Adams examines the dark side of Eakins's life and work, in a startling new biography that will change our understanding of this American icon. Based on close study of Eakins's work and new research in the Bregler papers, a major collection never fully mined by scholars, this volume shows Eakins was not merely uncompromising, but harsh and brutal both in his personal life and in his painting. Adams uncovers the bitter personal feuds and family tragedies surrounding Eakins--his mother died insane and his niece committed suicide amid allegations that Eakins had seduced her--and documents the artist's tendency toward psychological abuse and sexual harassment of those around him. This provocative book not only unveils new facts about Eakins's life; more important, it makes sense, for the first time, of the enigmas of his work. Eakins Revealed promises to be a controversial biography that will attract readers inside and outside the art world, and fascinate anyone concerned with the mystery of artistic genius.
“Louisiana Art: Regionally Unique; Southern Exemplar.” In Complementary Visions of Louisiana Art: The Laura Simon Nelson Collection at the Historic New Orleans Collection. Patricia Brady, Louise C. Hoffman, and Lynn D. Adams, eds.
His Philadelphia friend Robert C.V. Meyers enjoyed considerable success as an author of such popular fiction beginning in the 1880s. Eakins scholars know Meyers as the model for one of the seated medical students depicted in the ...
The first book-length study to explore the Philadelphia realist artist's lifelong fascination with historical themes, this examination of Eakins reveals that he envisioned his artistic legacy in terms different from those by which twentieth ...
"A collection of essays exploring the ways in which art and literature have imagined, animated, and embodied the complex ecology of Philadelphia since the seventeenth century.
In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period--Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner--and argues that art and religion ...
For more on physiognomy and British culture, see Hartley, Physiognomy and the Meaning of Expression in NineteenthCentury Culture. 25. See Young, Mind, Brain and Adaptation in the Nineteenth Century: “[N]o one before Gall argued for the ...
From the shadow of his mother's depression to his fraught identity as a married man with homosexual inclinations, to his failure to sell his work in his day, Eakins was a man marked equally by passion and melancholy.In this enlightening ...
47 See Davis, Blues Legacies and Black Feminism. Davis's discussion of Holiday's performances of “Strange Fruit” (an “unsellable” song) is particularly relevant to this project's discussion of difficulty and emotion in performance.
This fascinating story is copiously illustrated, and includes many lesser-known photographs published here for the first time.
... Eakins was discovered in 1984, prompting researchers to totally rethink those earlier biographies. As a result of these discoveries, Professor Henry Adams published one of the most important art books of the twenty-first century, Eakins ...