Launched by Hugh Hefner in 1953, Playboy promoted an image of the young, affluent, single male-the man about town ensconced in a plush bachelor pad, in constant pursuit of female companionship and a good time. Spectacularly successful, this high-gloss portrait of glamorous living and sexual adventure would eventually draw some one million readers each month. Exploring the world created in the pages of America's most widely read and influential men's magazine, Elizabeth Fraterrigo sets Playboy's history in the context of a society in transition. Sexual mores, gender roles, family life, notions of consumption and national purpose-all were in flux as Americans adjusted to the prosperity that followed World War II. Initially, Playboy promised only "entertainment for men," but Fraterrigo reveals that its vision of abundance, pleasure, and individual freedom soon placed the magazine at the center of mainstream debates about sex and freedom, politics and pleasure in postwar America. She shows that for Hugh Hefner, the "good life" meant the "playboy life," in which expensive goods and sexually available women were plentiful, obligations were few, and if one worked hard enough, one could enjoy abundant leisure and consumption. In support of this view, Playboy attacked early marriage, traditional gender arrangements, and sanctions against premarital sex. The magazine also promoted private consumption as a key to economic growth and national well-being, offering tips from "The Playboy Advisor" on everything from high-end stereos and cuff-links to caviar and wine. If we want to understand post-war America, Fraterrigo shows, we must pay close attention to Playboy, its messages about pleasure and freedom, the debates it inspired, and the criticism it drew--all of which has been bound up in the popular culture and consumer society that surround us.
... 110 Beauvoir, Simone de, 140 Bederman, Gail, i82-83nio Beggan, James K., and Scott T. Allison, 73, 75, 107, 115, ig6ni5 Bell, Jean, I92ni37 Bernard, Jesse, 146, 147 Bernays, Alexander, 31 Beverly Hillbillies, 132 birth control, 135, ...
Hisfavorite film is Casablanca, and he often sees himself as Rick Blainewaiting at the Paris traindepot for Ilsa Lund, who never comes, reading her farewell letter in the rain, which blurs the ink. He often views himself as the guy left ...
Combining historical perspectives with contemporary critical theory, gender and queer theory, porn studies, the history of technology, and a range of primary transdisciplinary sources — treatises on sexuality, medical and pharmaceutical ...
Fraterrigo, “Playboy” and the Making of the Good Life in Modern America, 25; Petersen, The Century of Sex, 173; Merrill, Esky, 104–105, 109. 14. Merrill, Esky, 115–18; Petersen, The Century of Sex, 173–74.
An intriguing study of life in Germany during the sixteenth and early seventeenth centuries draws on a rich variety of primary sources to describe the social and political climate of the period as well as the personal lives of individual ...
Watts packs in plenty of gasp-inducing passages.""-Newark Star Ledger ""Like it or not, Hugh Hefner has affected all of us, so I treasured learning about how and why in the sober biography.""-Chicago Sun Times ""This is a fun book.
... Kathy 5 penny scale 15 Pickford, Mary 15 Pin-ups 18; black 113–14; in World War II 23; see also Betty Grable; ... 109 Russell, Jane 34, 37, 97 Russia see Soviet Union; Cold War; Olympics Saturday Evening Post91, 133 Schwartz, ...
This book charts middle-class America's move towards an ethos of conspicuous consumption and sexual license during the fifties and sixties.
... Bridgeport Vice Commission, Report, 45; Frost, Gentlemen's Club, 134–137. ... ME], First Report, 28; Winthrop D. Lane, ''Under Cover of Respectability: ...
Chris O'Rourke, “Queer London on Film: Victim (1961), The Killing of Sister George (1968) and Nighthawk (1978),” in Pam Hirsch and Chris O'Rourke (eds.), London on Film, 118 (London: Palgrave Macmillan, 2017). 22.