What does it take to make a great motion picture? What do we even mean by cinematic greatness? What is more important: movie awards, critical acclaim, or box office success? Who has the biggest impact: the writer, the director, or the actors? Scientific research has provided some provocative answers. This review of cinematic creativity and aesthetics is confined to scientific studies carried out by a multidisciplinary group of researchers. Do great films receive both shiny trophies and five stars? Chapter 2 concentrates on movie awards, including the Oscars and Golden Globes, and how those awards relate to critical acclaim. How do the dramatic awards compare with the visual, technical, and music awards? Chapter 3 studies more closely how these awards cluster together and which of these clusters best predict cinematic success. How does box office compare with critical evaluations and movie awards? Chapter 4 adds a new consideration, namely the film's financial performance. The following four chapters focus on specific contributions to a film's impact: Chapter 5 covers the script (including writers), Chapter 6 the director (or "auteur"), Chapter 7 the actors (especially gender differences), and Chapter 8 the music (both scores and songs). Chapter 9 addresses the question of whether the same cinematic factors that make some films great also make other films bad: Are bombs the exact opposite of masterpieces? The book closes with an epilogue on future directions in scientific studies of cinematic creativity and aesthetics. What do researchers need to do if we want a complete understanding of what it takes to create a powerful cinematic experience? This volume will be invaluable to anyone interested in film, including any aficionado who is open to a scientific approach, and researchers in the areas of creativity, aesthetics, and cultural economics. The reported research comes from many disciplines, including psychology, sociology, economics, management, marketing, communications, journalism, broadcasting, history, musicology, and statistics.
This review of cinematic creativity and aesthetics is confined to scientific studies carried out by a multidisciplinary group of researchers.
Included in this special edition is a detailed chronicle of the 20 most iconic movies that helped forge a new identity for a new genre.
... to be sure ( Bogart , Bergman , and Paul Henreid were stars , and no better cast of supporting actors could have been assembled on the Warner lot than Peter Lorre , Sydney Greenstreet , Claude Rains , and Dooley Wilson ) .
"The book is divided into ten genres, with fifty films appearing in each category.
Full of fun factoids to know and share, Rolling Stone's 1000 Best Movies on DVD is the book no movie lover's library will be complete without.
Popular film critic and esteemed cinema historian Leonard Maltin offers a fresh look at underappreciated screen gems in Leonard Maltin’s 151 Best Movies You’ve Never Seen.
As portrayed by Ned Beatty, Connors is slow-moving and slow-talking, but not necessarily slow-witted. He's more of a throwback—a man out of time. He sees himself as an extension of a long and proud tradition in his jurisdiction of Bogan ...
Meyers offers an "up-to-date, authoritative kick-butt book" detailing the best movies and where to find them. Color photos.
This collection of great movies goes beyond mainstream films; you'll find modern flicks everyone loves, but also plenty of classic films no one should miss.
Awesome, Weird and Wonderful Flicks From Four Corners of the Globe Marc Fennell. GREAT. BRITAIN: IN. NEED. OF. A. MONARCH. BETTER. THAN. PRINCE. CHARLES. Great Britain is known for many things: tea, time lords, being slightly better at ...