Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
In this two-volume Handbook, contributors address this tendency head-on, correcting the currentbias towards visual imagination to instead highlight the many forms of sonic and musical imagination.
In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other ...
Written by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.
Ceraso, S. (2018), Sounding Composition: Multimodal Pedagogies for Everyday Listening. Pittsburgh, PA: University of Pittsburgh Press. Chattopadhyay, B. (2017), 'BeyondMatter: Object- disorientedSoundArt,' Seismograf, 15 November, ...
The Oxford Handbook of Sound and Image in Digital Media surveys the contemporary landscape of audiovisual media.
Music can inspire transcendental—the so-called out-of-body experiences—in deep trance states (see Rouget 1985; Becker 2004). The body produces and experiences music in a given time and space. Therefore, the environment must be ...
... historicallyinformed interpretations of canonical nineteenth- century orchestral works with London Classical Players, wrote an enthusiastic preface to Clive Brown's monumental Classical and Romantic Performing Practice (1750–1900).
Résumé en 4ème de couverture: "This book examines different kinds of analogies, mutual influences, integrations, and collaborations of the audio and the visual in different art forms.
In these volumes, an international list of contributors update and redefine the discipline through fresh and innovative principles and approaches to music learning and teaching.
In doing so, the book provides the foundation for a broader understanding of the history of listening, discourses of sound quality, and artistic practices in the age of recorded music.