The connections between a great artist's life and work are subtle, complex, and often highly revealing. In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative. Cooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: "I live entirely in my music," he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence--from fictitious anecdotes right down to the translations of individual German words--to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence. Offering a wealth of fresh conclusions and intertwining life and work in illuminating ways, Beethoven will establish itself as the reference on one of the world's greatest composers.
PRAISE FOR JAN SWAFFORD CHARLES IVES: A Life in Music A sensitive, specific, gracefully worded, and remarkably clearheaded book that is both an engrossing biography . . . and a detailed examination of the work [Ives] left behind.
From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader.
Narrates the life of the German-born musical genius who lost his hearing completely by age fifty and who is renowned as one of the world's greatest composers.
In this volume, the late Carl Dahlhaus combines the interpretations of individual works with excursions into the musical aesthetics of the period around 1800, an age which was not only a `classical' period in the history of the arts but ...
Ludwig van Beethoven wrote numerous piano pieces to teach to his pupils. Still, today, his works are an integral part of piano lessons. My first Beethoven is perfect for pianists of every age to become acquainted with these works.
Classic of music analysis by a noted musicologist for those with a serious interest in Beethoven's symphonies. Fascinating background on composer's historical era, plus quotations, letters, and anecdotes. Includes 436 musical passages.
The 1921 three-volume English edition of a landmark biography of one of the world's greatest composers.
6 Translation from B. Cooper ( ed . ) , The Beethoven Compendium ( London , 1991 ) , pp . 170-1 . 7 Allgemeine musikalische Zeitung 29 ( 1827 ) , cols . 705-10 . 8 From Neuestes Sittengemählde von Wien ( Vienna , 1801 ) quoted in H.
This book unveils the role of politics in his oeuvre, elucidating how the inherently political nature of Beethoven’s music explains its power and endurance.
Published in 1909, this two-volume collection of Beethoven's letters in English translation contains more than a thousand examples.