This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available.
These performances activated complex webs of prosthetic relationships. The notion of “prosthesis” has along and complicated history in critical discourse,8 but in this context, Mitchell and Snyder's theory of “narrative prosthesis” ...
... historicallyinformed interpretations of canonical nineteenth- century orchestral works with London Classical Players, wrote an enthusiastic preface to Clive Brown's monumental Classical and Romantic Performing Practice (1750–1900).
The Oxford Handbook of the Sociology of Body and Embodiment introduces the sociological research methods and subjects that are key to the growing field of body and embodiment studies.
In these volumes, an international list of contributors update and redefine the discipline through fresh and innovative principles and approaches to music learning and teaching.
The effect of that subtle distinction was to position the musical body at the center of an ideological divide over the origin, function, and development of music which, if Steven Pinker ([1997] 1999, 534) is to be believed, continues to ...
What can such musico-sexual iconography tell us about queer understandings of the human body before 1500? ... Although queer theory was applied to music relatively late in comparison to its adoption elsewhere in the humanities, ...
The second edition of The Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast-growing area of research.
To develop integrated body awareness: the practice of music-making nur• tures a “musical body,” an awareness of the relationships between voice and melody, movement and rhythm. In addition, one gains an awareness of how one's body ...
Sara's dream and Pauline's image bring their unconscious fears and hopes that were representative of the group. ... In these dreams or musical images, clients demonstrate that they are scared of their feelings and fantasies.