A leading critic explains what makes American poetry--a vast genre covering diverse styles, techniques, and form--distinctive. In this short and engaging volume, David Caplan proposes a new theory of American poetry. With lively writing and illuminating examples, Caplan argues that two characteristics mark the vast, contentious literature. On the one hand, several of America's major poets and critics claim that America needs a poetry equal to the country's distinctiveness. They advocate for novelty and for a break with what is perceived to be outmoded and foreign. On the other hand, American poetry welcomes techniques, styles, and traditions that originate from far beyond its borders. The force of these two competing characteristics, American poetry's emphasis on its uniqueness and its transnationalism, drives both individual accomplishment and the broader field. These two characteristic features energize American poetry, quickening its development into a great national literature that continues to inspire poets in the contemporary moment. American Poetry: A Very Short Introduction moves through history and honors the poets' artistry by paying close attention to the verse forms, meters, and styles they employ. Examples range from Anne Bradstreet, writing a century before the United States was founded, to the poets of the Black Lives Matter movement. Individual chapters consider how other major figures such as T.S. Eliot, Phillis Wheatley, Walt Whitman, Emily Dickinson, W.H. Auden, and Langston Hughes emphasize convention or idiosyncrasy, and turn to American English as an important artistic resource. This concise examination of American poetry enriches our understanding of both the literature's distinctive achievement and the place of its most important writers within it.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
“Justin Timberlake, 'The 20/20 Experience': Is There a Visual Preference for Whiteness?” Interview with Marc Lamont Hill. HuffPost Live, 27 March 2013.
Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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