Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966. Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year, a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity. A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure.
Esther Hinds was Cleopatra, Jeffrey Wells played Antony, and Christian Badea conducted the orchestra. Four performances taped during the festivals were ... Example 17.2 (facing) Antony and Cleopatra, act I, scene 2 (G. Schirmer, 1976).
Samuel Barber was an American composer of orchestral, opera, choral, and piano music.
Hennessee provides a biographical overview of the life of Samuel Barber, one of America's foremost composers, as well as comprehensive bibliographical information about his complete oeuvre. The volume consists of...
... 112 , 535 , 539 , 552 Dobrin , Peter 41 Dolph , Heather Marie 359 Donovan , Richard 66 Downes , Edward 319 Downes ... Donald R. 448 Chotzinoff , Samuel 471 Christ , Judith 16 Chung , Ok Jo 485 Clark , Robert 578 Clough , Francis F.
Compulsively readable interviews with the great American composer and his friends and colleagues, including Aaron Copland, Virgil Thomson, and Leontyne Price.
D. Copyist's cello part, made by Strasser, with last 5 mm. in Barber's hand. PHci-oc, but not located at this time ... Title page: Violoncello/Dover Beach, For String Quartet and Voice/Samuel Barber. Comment: This score was used by Cole ...
"Whenever the American dream suffers a catastrophic setback, Barber’s Adagio plays on the radio.” —Alex Ross, author of The Rest is Noise In the first book ever to explore Samuel Barber’s Adagio for Strings, music and literary ...
"A pivotal twentieth-century composer, Samuel Barber earned a long list of honors and accolades that included two Pulitzer Prizes for Music and the public support of figures like Serge Koussevitzky and Marian Anderson.
The most exhaustive study of Barber’s beloved masterpiece in print, this is a consideration of the origins and reception history of the three versions by Barber and an accounting of treatments for other media.
Songs published posthumously : 1 First published in this edition; 2 First published in Samuel Barber: Ten Early Songs (1994); 3 First published in Samuel Barber: Ten Selected Songs (2008): Ask me to rest 1 * Au claire de lune 1 * Beggar's ...