"During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice-versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today"--
Yvonne Rainer, Trisha Brown, and Simone Forti had all met at Halprin's 1960 summer workshop. They met up again in New York. By 1962 all three had worked with Robert Dunn and became part of Judson Dance Theatre. Most members of the Dance ...
It goes without saying that the path has not been smooth or direct: anyone who has written a book knows that nothing ever turns out as planned. However, Don't Act, Just Dance busted more than the ...
Revision of author's thesis (doctoral)--Columbia University, 2013, titled Strange commodity of cultural exchange: Martha Graham and the State Department on tour, 1955-1987.
... would allow nothing but varieties of turtle soup in the theatres of the American Highly popular were Emmet Lavery's Catholic drama about nuns , First Legion , and Karl Zuckmayer's Der Teufels General ( The Devil's General ) .
Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period.
This book is the first full-length examination of a Soviet cultural diplomatic effort.
Lynn Garafola soviet dance history is full of muted voices, artists who spent decades in creative silence while keeping inner faith with the modernist ideals of the 1920s. Among this courageous group was Leonid Yakobson.
Dancers as Diplomats tells the story of how these tours shaped and some times re-imagined ideas of the United States in unexpected, often sensational circumstances-pirouetting in Moscow as the Cuban Missile Crisis unfolded and dancing in ...
In his early works for The Royal Ballet, including Pavane, Tryst, and DGV, he showed a clear interest in bringing the speed and attack associated with New York City Ballet back to the United Kingdom, pushing for greater technical ...
Diop, Senghor, Césaire, Fanon, Abrahams, Wright, Hughes, and Baldwin were all there. 7. The 1er Congrès des Écrivains et Artistes Noirs opened on the morning of September 19, 1956, in the Amphithéâtre Descartes at the Sorbonne, ...